Sophisticated Living St. Louis Sept/Oct 2022 by Sophisticated Living Magazine

slmag.net Sept/Oct 2022 five dollars {St. Louis' Finest}

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Sept/Oct 2022 66 14 The Art of the Home 20 Reconstituting the Center 26 Obsessed by Cars 30 The Greatest Jazz City in America 33 The End of An Era 36 Fjord Expedition 42 Painting 3.0 44 Green Juice 46 TAKE A BOW 49 The Mane Event 54 110 Years of Evolution 56 Books & Looks 58 Liquid Gold 60 Of Note Curves Ahead 62 Pretty in Pink 64 Jaw-Dropping Droptop 66 My Magical Cottage in the Woods 70 The Wonderful World of E-Bikes slmag.net Sept/Oct 2022 five dollars {St. Louis' Finest} on the cover: Fall – the time to retreat to our sophisticated cottage in the woods. Photo by Photographie by Li 26 Obsessed by CarsPhoto by Joe Martinez 2 slmag.net

Susan Celeslie | celesliedesign.com | 347.604.9444

“Like any great rebranding eﬀort, design should reﬂect your life journey, but it should also align with all your growth and change throughout the years.”

“The work I do is like a rebrand,” she says. “My clients know that who they were yesterday is not who they are today, and they want their space to match that transformation, but they don’t know how to do it on their own. That’s where I come in.”

And if that sounds like hyperbole, be assured, it’s all veriﬁed truth.

Get lucky enough to be pulled into Susan Celeslie’s orbit, and you’ll feel the force of her energy through every ounce of marrow in your bones.

When she walks into a space, she almost always gets an instant feel for how a space should look. But she doesn’t rely on intuition alone. She discovers how her clients have grown and evolved, and then, she helps them step out of the comfort of their past.

“My work is centered on creating a place my clients are proud of,” she says.

Today, she uses all that life history to help her design commercial and residential spaces, and while the technical term is “interior designer,” Susan says she’s really in the business of transformation.

Sept/Oct 2022 76 Sophisticated Celebrations 79 Heffern 50th Anniversary 80 2022 Affair to Remember Gala 83 The Art of Innovation 85 Boys and Girls Club 87 Metro Theatre Gala 88 APDA Annual Golf Classic 70 The Wonderful World of E-bikes Photo courtesy of Pedego. 4 slmag.net

“From Strength to Strength”, a highly acclaimed book written this year by Arthur C. Brooks, is a roadmap for thriving in the second half of life. Packed with practical advice, it helps readers stop dwelling on past successes and find fulfillment in the present. Ideally it is a rallying cry for people like you and me who are at the age when we are thinking about what to do next, transitioning from what we did well to something that doesn’t feel like work, and finding joy in something new, not because of the financial or reputational rewards, but for personal satisfaction and fulfillment. Don’t worry, I am not exploring things outside of Sophisticated Living, but rather exploring more deeply what drove me to start Sophisticated Living in the first place.

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I met with Mark Hyman, whose collection of 400 or so classic cars started as a passion project after he left the commercial real estate business in the late 1980s, who now has one of the most highly regarded collections of rare and exotic automobiles in the world, often claiming the top prize at Pebble Beach and Concours d’Elegance shows year after year, all from his headquarters in Maryland Heights, Missouri.

I’ve been thinking about change a lot lately – partially because of the 10th anniversary of Sophisticated Living in St. Louis, the book

We started Sophisticated Living when I spent most of my time running the marketing and public relations firm Twist. The magazine was an outlet for our stories – a way to connect to the St. Louis community and something for me to do after my days of running an agency were behind me. It has not always been easy as the world of print media has changed dramatically, but it has been wonderful working with some of our other publishers, the many people we feature, and the opportunity to express thoughts on our community and the world in which we live. Surprisingly, our business improved during the pandemic, and what I thought might be the end of our run has become a new and expanded opportunity as some of our media competitors have shrunk or folded.

Sometime between now and the end of the year, you’ll see some new people on our team as our editor, Lou Ann Wilcox, hands off her job to someone who will hopefully bring to the position what she has; a new digital content producer as Grace Mikula starts a new job in her field of nutrition education; and I invest more time growing our brand into a truly multimedia enterprise with new special editions (Sophisticated Giving, Sophisticated Wellness, and up to four more publications in 2023), more digital content, and of course more of what we have done so well over the last 10 years. I am grateful for the contributions of teams past, but I am also energized by what is to come.

Craig M. Kaminer, Publisher craig@slmag.net

“From Strength to Strength” given to me by a close friend, the January 6 hearings, and the barrage of political ads for midterm elections. While some people hate change, I have always run towards it – sometimes with great outcomes, other times not so much.

And finally, we are featuring a cabin on the bluffs of the Mississippi River belonging to Jenny Rausch from Karr Bick Kitchens & Baths, which she recently photographed and told me about. While I originally wanted to include some of her favorite projects in the magazine, the story changed and we are featuring her cabin as one of her favorite projects of all time Change is good and if you know a great story about someone or something in St. Louis, let us know. The lesser known or more obscure the better. And I hope you will welcome our newest team members as soon as we announce them. Stay tuned and always stay sophisticated.

As I watched Jack Danforth recently make a plea via a television commercial to return politics to the middle – where the majority of people I know want our country to head regardless if you are right or left of center – I was compelled to call his office, meet with him to discuss why he is doing this now (at the age of 85), and pick his brain to see what we can do to bring honor back to the politics, and most importantly, to the state of Missouri.

From the Publisher

Lisa Hanly takes a look into the rapidly growing class of e-bikes which have moved from the obscure to the mainstream. Why? Because e-bikes have renewed the joy of riding for millions of people worldwide (and me personally) which was lost as we aged. And so I find myself now riding to work, riding to the Tower Grove Farmers’ Market, or cross town for breakfast. If you haven’t tried it, I hope you will after reading Lisa’s story.

One resource to create all your #NothingOrdinary karr bick kitchen & bath design • construction • interiors Schedule your free design consultation today at 314.645.6545 or karrbick.com

PLEASE CONSIDER A SUBSCRIPTION HELP US INDEPENDENTSTAY slmag.net July/August 2020 {St. Louis' Finest} slmag.net Sept/Oct 2020 {St. Louis' Finest} slmag.net Jan/Feb 2021 {St. Louis' Finest} slmag.net July/August 2021 {St. Louis' Finest} If you enjoy reading about St. Louis’ luxury lifestyle in our print and digital media, please consider subscribing. sophisticatedstlouis.com/subscribe DIGITALcortney@slmag.netlouann@slmag.netLoucraig@slmag.netCraigPUBLISHERKaminerEDITORAnnWilcoxADVERTISINGCortneyVaughnCONTENTCourtneyScottcourtney@slmag.netCONTRIBUTORS Writers Jessen O’Brien Wendy Cromwell Lisa Hanly Photographers Alise O’Brien Joe Martinez Design Stephanie Grateke SOPHISTICATED LIVING MEDIA Eric BridgetWilliamsWilliamsGregButrumJasonYann Sophisticated Living® is published by High Net Worth Media, LLC and is independently owned and operated. Sophisticated Living® is a registered trademark of Williams Media, Inc. All Rights Reserved. Sophisticated Living® is published six times a year. All images and editorial are the property of High Net Worth Media, LLC and cannot be reproduced in whole or in part without written permission. Annual subscription fees are $25.00; please add $5 for subscriptions outside the US. Single copies may be purchased for $5 at select fine retail outlets. Telephone 314-82-SLMAG. SLMAG.NET

11660 Page Service Drive | Saint Louis, MO 63146 | 314.993.5020 | kdrshowrooms.com FOR 30 YEARS, KDR HAS PARTNERED WITH ST. LOUIS St Louis’ iconic destination for the creation of beautiful interiors.

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DESIGNER: EMILY CASTLE, ASID CASTLE DESIGN 7707 CLAYTON RD CLAYTON, MO WWW.EMILYCASTLE.COM314-727-662263117

YOUR

DESIGNERS, THEIR VISIONS TO LIFE

The homeowners of this newly renovated condominium wanted to create a comfortable living arrangement for when their growing family comes in town. The Castle Design team chose clean-lined, modern elements but ensured warmth was incorporated throughout the space with soft textiles and inviting furniture pieces. It was important to keep this room simple and understated as it complements the adjacent contemporary kitchen. Hughes sofas from Century were the perfect fit and bring symmetry to the space. A multifunctional ottoman-coffee table features a faux leather from Jab in the prefect grey tone. For the accessories, the team selected Kravet and Larsen fabrics for pillows to dress the sofas, perfectly scaled lamps and how can we not mention the elephant in the room?

BRINGING

PHOTOGRAPHYO’BRIENALISECREDIT:PHOTO

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“We didn’t even put our house on the market, but we had an unsolicited offer and thought we better sell it,” says homeowner, designer, and entrepreneur Laura Miller. Nearly 20 years ago, Laura co-founded 20 Minutes to Fitness, which specializes in a once-a-week routine designed to build muscle mass through slowmotion weight lifting. A few years before starting the business, the Millers moved into the house, which was built in 1891. It was designed by architect Theodore Link, whose most famous local project is Union Station.

THE ART OF

“The house was around 11,000 square feet, with 13 bedrooms. This is a two-bedroom 3,400 square foot condo, so it’s a significant change,” says Laura. “But downsizing is only part of the story.”

This entryway corridor feels more like an art gallery thanks to the Millers’ extensive collection.

Written by Jessen O’Brien / Photography by Alise O’Brien

The true heart of the story becomes apparent the moment you step into the entryway of the Millers’ new home and are surrounded by a selection from Laura’s art collection that reflects the natural world. Among the more than one dozen pieces are a large-scale elephant’s ear photographed by local artist Madeline Longstreet done in the Van Dyke style. Thoughtfully arranged with the help of lifetime friends and fellow Chase residents Marianne Murphy and Chris Chadwick along a corridor that leads from the entryway to the condo’s open-plan living spaces, the effect is more like walking through a gallery versus a typical hallway. That’s by design. THE

HOME

Laura and Paul Miller had always planned to one day move from their Portland Place century home to a condo in the Chase Park Plaza with their dog, a 140-pound Leonberger named Cricket. But one day became today during the pandemic, when rising home prices convinced them that this would be an opportune time to downsize.

Laura worked with a friend to create to-scale cutouts of the gallery wall’s 45 items in order to arrange this living room showstopper.

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Around it are antique mirrors, silhouettes, naturalist prints, and tons of family photographs. “Our kids, parents, grandparents, great grandparents, the home my grandfather came from in Denmark – there’s so much history on this wall,” says Paul. An outdoor bench, ghost chair, and pair of antlers add to the family room’s carefully curated eclecticism.

“Every part of this place was built to showcase the previous owner’s art, which included pieces by Rembrandt, Dürer, and Matisse that were donated to the St. Louis Art Museum when he passed away,” says Paul, who heads The Omega Group at UBS Wealth Management. “He created this museum, and we brought in the content of Laura’s collections.”

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In the guest bedroom, mounted specimens and garden furniture bring the outdoors in.

This made the condo an ideal pick for the couple to display their collections of botanical prints, naturalist paintings and photographs, mounted specimens, European pottery, antique garden statues, and a medley of furnishings that span four centuries which they have thoughtfully been amassing for decades. The overall effect is a strong connection to nature. About 180 recessed lights that illuminate the 35 feet of gallery space, tall ceilings –which soar to 13.5 feet in the dual living spaces that flank the condo’s dining room – and remote-controlled built-in window shades all serve to highlight and protect the artwork within. “And [its museum-like qualities] aren’t even the most breathtaking thing about it. It’s really this 180-degree view of Forest Park,” says Laura, gesturing to the windows that encircle the main living spaces. “There are times when I can see large birds go swooping by; in many ways, I feel more in touch with nature here than in our previous home.”

And in the morning, the coloration of the Centene buildings in Clayton as the sun hits them is sensational – and something we could never see when we were below the tree line.”

Since so much of the condo was perfectly suited to their needs, the Millers didn’t do much in the way of construction upon moving in. The most dramatic shifts were replacing the kitchen’s dark, stone backsplash with one of antique mirror; trading out a large built-in cabinet in the family room in favor of a fireplace; and re-staining the floors a warm brown tone that compliments the striped Black Limba wood that appears throughout the condo. Most noticeably, the Black Limba wood is used for a striking floating credenza built into the living room – above which lies the room’s most eye-catching element: a gallery wall featuring 45 pieces of art. At the center hangs a faux deer head from Restoration Hardware, another example of Laura’s high-low style.

“We basically moved across the street,” says Paul. “But it’s totally different being up 15 stories. The sunsets are spectacular.

Laura makes the most of the master bedroom’s tall ceiling with a painting by St. Louis artist Margaret von Kaenel. slmag.net 17

An 180-degree view of Forest Park is the highlight of the condo’s open-plan living spaces. 18 slmag.net

Laura takes a similarly eclectic approach to the room’s furnishings, which not only blend different styles and time periods, but even indoor and outdoor pieces. “Furniture is my passion. I’ve collected my entire life,” says Laura. “I look for furniture everywhere, including auctions and estate sales. I try not to have any preconceptions; the right piece just speaks to me immediately. I’d say it’s animal attraction, but I guess it’s really furniture attraction.”

On the other end of the dining room is the family room, where Laura again makes full use of the condo’s height by placing a pair of angel statues atop two casement cabinets that display her Majolica collection. In the guest bedroom, the Millers have another collection on display, this time a series of butterflies and other insects mounted in drawers that Laura spotted at R. Ege Antiques.

Laura’s panache for mixing contrasting items is most apparent in the master bedroom. Look up, and you see a highly-modern white pendant. Look down, and you’ll spot a 200-year-old Aubusson rug, whose threadbare appearance gives it “a sense of inheritance,” says Laura.

Her design philosophy is simple: Every single item in your home should be something you love. As a result, Laura is unafraid of having multiple pieces compete for your attention. Instead, she relies on a serene palette for visual continuity. Think off-white walls, plenty of dark woods, and a series of soft red, traditionalWhat’srugs.more, Laura is equally unafraid of adding her own stamp, even to vintage items. Take the living room’s two campaign-style chairs, outdoor pieces Laura spotted at Selkirk Auctioneers & Appraisers. She removed the rust, painted them gray, and had a friend – Andrea Miles – add the Chase monogram. In the same seating group, a midcentury glass coffee table, pair of white slipcovered armchairs, and ceiling light by Ingo Maurer add contrast.

“It looks like it was passed down from generation to generation,” adds Paul. “People are often afraid to use pieces from different periods, and that’s where Laura’s creativity comes in. She can put them together.”

In the dining room, optic white ghost chairs surround a traditional dark wood table. “As much as I like antiques, I’m also highly aware that you can’t just load a house up with, say, 18th-century English,” says Laura. A large painting of an owl by St. Louis painter Fern K. Taylor looks on from the living room, while a cherub statue and large, antique mirror line the wall. “And then we have a 300-year-old longcase clock; I don’t think I could be more eclectic.”

“We still have the little cabinet they came in – and that’s how we moved them,” says Paul. “My friend Mike Murphy and I put the drawers back in and brought them over here on a golf cart. It was fun; we had to figure out how to avoid any stairs and just use elevators the whole way.”

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So when I saw a TV commercial with Jack Danforth making a plea for all of us to stop the fighting and vote for someone who claims to be independent - like John Wood - he got my attention.

I’m sure some people love political ads, the back-and-forth banter about why we should or shouldn’t support the candidate of our party - or God forbid - the other party, along with the political conversations which pop up over dinner, or cocktails, or with family. But I don’t. First, I find it confusing as the candidates sling mud at their same party candidates, not to mention the other party. All of them seem to be untrustworthy or not deserving of our vote. These days, it appears everyone has extreme views - but not me or the people I know. The facts, or more likely the lies they spew, are damning and hard to verify.

By Craig Kaminer

I have been wondering why more politicians don’t do this and so I called former Senator Danforth to see if I could interview him. I was delighted that he said yes and I spent about 45 minutes with him in his law office in Clayton. Now, I don’t know much about John Wood, his politics, or if he will remain independent once elected. Reading his website and articles written about him, he seems like a Republican but is running as an Independent. But anyone who can get their former senator and boss to part with his lifelong party is worth considering (Woods once worked on Danforth’s Senate staff). As Danforth eloquently states, “The project of America is to hold ourselves together and the two parties intentionally are tearing us apart and this is our opportunity for Americans to come together, regardless of party.”

RECONSTITUTINGTHECENTER

/ Portrait by Joe Martinez

Despite Danforth’s support of an independent for Senate, he said he is a centrist Republican at heart and believes in small government, low taxes, and a strong defense. But he is a big advocate for stem cell research, much to the dismay of many prolife Americans. He clarified, “I am not pro abortion, but we can’t have things one way without considering the other. I hope we will find a compromise even if it means both sides giving up something they are so adamant about.”

In 1968 Danforth was elected Missouri Attorney General, the first Republican elected to the office in 40 years and the first from his party elected to statewide office in 22 years. On his staff of assistant attorneys general were future Missouri Governor and U.S. Senator Kit Bond, future U.S. Attorney General John Ashcroft, future Supreme Court Justice Clarence Thomas, and future federal Judge D. Brook Bartlett. In full disclosure, I have always been politically left of center, having grown up in a traditionally blue state. But in the world we live in today, my views are closer to Senator Danforth’s than ever before. He is a Republican from a time when Democrats and Republicans were personal friends, when independent thinking ruled the day over the party line, when compromise was the way politics had to be done, and when being American was more important than party. I remember my parents voting for the person they thought would do the best job, regardless of party, and later surprised me when they too were hijacked by extreme politics...or media. I knew things were no longer on the straight and narrow when my dad said he didn’t like Obama because he was likely Muslim. Oy! Danforth has long stood for “bringing things and people together” and is equally comfortable quoting the Constitution, James Madison, Abraham Lincoln, or the Old or New Testament. “Religion and politics can be used for good or ill, wholeness or divisiveness, and people have long killed in the name of God convinced their cause was just,” he stated. “The Constitution is about pluralism, with many people who come from various backgrounds sharing commonly held beliefs.”

Danforth is quick to point out that there is no way for us all to agree on everything, but “politics should be about compromise and the beliefs we have in common.”

“In politics,” he exclaimed, pounding his desk again, “That’s the only way to get things done. We would have never passed any legislation about civil rights, highway safety, the lowincome housing tax credit, the R&D tax credit, or international trade without close working relationships and collaboration with the “Today,Democrats.”politics are unworkable. Both parties are off the rails. The politicians do not appear to be in Washington to legislate and get things done, but rather as independent contractors, or mercenaries, pandering to the wishes of loud and dangerousWhenfactions.”Iasked Danforth about the recent overturning of Roe v. Wade, he said, ““In deciding the constitutionality of the Mississippi statute, the Supreme Court didn’t need to go as far as overruling Roe v. Wade.”

But even with his clear values and vision for the country, he concedes he has made mistakes, missteps, and poor choices. “My support of Josh Hawley, who I thought was a good guy, turned out to be one of the biggest mistakes of my life. ”

A lifelong Republican and priest, Danforth pounded his desk as he stated, “Religion and politics today are focused on divisiveness.” In his book, Faith & Politics, he reminded us that the goal of both is to bring people together and cites Jesus and our Founding Fathers alike. “If we heed these teachings and engage in both, we should be friends not enemies.”

Danforth reminded me that when James Madison and others crafted the Constitution, there were just four million Americans. Today there are more than 330 million and the issues are more complex. Will our country’s differing ideologies continue to divide us, or will we find a way to work together and figure things out? Hopefully we find more politicians like former Senator Danforth with the values, faith, and love of country which lead us to compromise.

As an aside Danforth noted, “Can you believe 40% of people don’t want their children to marry someone from the opposite party (whichever that party is for you) and on more than one occasion I have had friends hang up on their children?” He referred to it as “a metastasis of families breaking up over politics.” He said he didn’t know if this all started with the Tea Party Movement, or Newt Gingrich, or the 1992 election when edgy Republicans moved from the House to the Senate, or Trump, but it is clear that Danforth longs for bi-partisanship.

Now I need to figure out who I am going to vote for. sl

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John Claggett Danforth (born September 5, 1936) is a politician, attorney, and diplomat who began his career in 1968 as the Attorney General of Missouri and served three terms as United States Senator from Missouri. In 2004, he served briefly as United States Ambassador to the United Nations. Danforth is an ordained Episcopal priest. He was born in St. Louis and graduated from Princeton University. He received graduate degrees from Yale Law School and the Yale School of Divinity. Danforth practiced law at the New York law firm Davis Polk & Wardwell from 1964 to 1966 and was an associate at the law firm of Bryan Cave in St. Louis from 1966 to 1968. Before Danforth entered Republican politics, Missouri was a reliably Democratic state with its U.S. senators and governors usually being Democrats. Danforth’s seat in the Senate was previously held by Democrats Thomas Hart Benton, Harry S. Truman, and Stuart Symington.

Danforth also referenced Abraham Lincoln, who, as the country was breaking apart in 1861, said, “We must be friends.” Lincoln would not call the Confederate South enemies of the Union, just “Americans” as an appeal to civility.

4735 McPherson Avenue Saint Louis, Missouri 63108 p 314.361.2617 f 314.361.8051 www.philipsleingallery.com Philip Slein Gallery ERIK SPEHN Erik Spehn, Arlington, 2022, acrylic on linen and panel, 39 x 39 inches

O’BrienAliseby:photo ART SALES ART ADVISEMENTbarrettbarrera.com Art is meant to break the gallery walls. Let it live in the world you create.LIVINGARTwith

I have known Mark Hyman since the 1980s when I first wanted to find an old MGB to restore. He already had a reputation for restoring many classic cars, but at the time, he was in the commercial real estate business. So, I had to wait until Mark had the time to look at cars with me and eventually tow one back to St. Louis. We found a few in St. Louis and as far south as Sullivan, Missouri. While all looked good to me, Mark had the keen eye for original cars. I bought the one Mark recommended which was all original and in running condition, but in desperate need of a restoration.

Three years later and many thousands of dollars invested, I had a car I was proud of. It drove well and was one of the nicer MGBs I had ever seen. But as I learned from Mark, sometimes it’s easier and better to buy a restored car from someone who invested much more than the car was worth and sold it for a loss (like I did on more than one occasion). Live and learn. During the downturn of the real estate market in 1989, Mark turned his passion for collectible cars into a business, and since then has become one of the leading dealers of rare cars in the world. While there are many classic car dealers in St. Louis and every major city, few have the encyclopedic knowledge of rare cars, the vast inventory of hundreds of collectibles, and the worldwide following of Mark. He is a celebrity of sorts at every major rare car show in the world, especially Pebble Beach and the many Concours d’Elegance shows he attends. Just follow him on Instagram. Whether it’s his distinctive looks, welcoming smile, car talk, or larger than life personality, Mark is well known in rare car circles. He knows the collectors, the judges, the museums, and of course the celebrities who have vast collections like Jay Leno and Jerry Seinfeld. And this is not a group of people easily fooled by anyone less than an expert. You need to know your stuff, and Mark does. You could say Mark grew up in the car business as his father ran Easton Tire Company, which was founded by his grandfather in 1925. But tires weren’t his thing. He wanted to build something on his own and his passion for old cars was just the motivation he needed. After 32 years in business, the 62-year-old says he doesn’t plan to retire until he is 162. Good luck. The day I visited his 70,000 square foot warehouse with Joe Martinez to take photos of Mark, a couple who had flown in for the day to see a car in Mark’s inventory was already there. After examining one particular car meticulously, the couple started it, let it warm up while talking to the mechanic, and then took it for a spin. Before I knew it, they were back with big smiles and left that day with an incredible 1913 Stevens-Duryea for their collection.

As we toured Mark’s collection, we walked through his warehouse/garage/studio. Mark told me the history and background about each of the cars we viewed. He even has an expansive collection of classic mini-bikes, motorcycles, three-wheeled vehicles, and cutaway engines. But these are just for his own collection and aren’t for sale any time soon. He pointed out the cars from the turn of the century – that is the 20th century – which were originally purchased by captains of industry. The 1915 Pierce-Arrow, for example, in perfect condition, is large, powerful, and elegant compared to the Model T Ford which was made at the same time. The Ford was made for the middle-class buyer. The other for the upper class.

By Craig Kaminer

/ Photography by Joe Martinez

OBSESSEDBYCARS

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I asked Mark how collectors have changed over the years, and he was quick to point out that they have indeed changed significantly. “In the past, cars were simpler and collected by people who liked to tinker. The cars they collected typically evoked an emotion from their childhood when cars meant freedom, were an expression of their personality, represented the American Dream, or reminded them of their first date, the music of the time, or the desire to work on the car on their days off. Those who are newer to the hobby have different motivations. For them, buying a classic car is about buying into a lifestyle. Collectible cars represent a weekend toy, or a piece of sculpture that sits in your garage just as art hangs on the wall, and they have proven in the past to be a good investment. The venues for enjoying old cars have evolved too. While highly exclusive Concours events are still active, there are road rallies, organized tours, and informal get-togethers that attract a wide variety of collectors. Thus, Mark caters to sophisticated collectors – knowledgeable car people who really understand cars and what they are looking for in a collectible. In short, the high-net-worth buyer. It’s not a surprise that these cars are rare and their prices reflect that. While Mark has some cars like mint condition Triumphs and MGs which are priced in the five-figure range, many are in the six- and seven-figure categories. But at any given price point, Hyman strives to provide the best quality possible.

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Son Drew with Hyman in a 1931 Bentley on tour in Switzerland Hyman with 1938 SS100 and daughters Erica and Brooke at the Amelia Island Concours. Daughters Erica and Brooke with Hyman showing a Figoni Talbott at Pebble Beach.

Hyman with 1913 Rolls Royce Silver Ghost at the Concours of America slmag.net

An expensive souvenir that is. For Mark this is a passion project. Yes, his business grows each year. Profits are important. But he only deals in cars he likes. No matter how great something is, if he doesn’t love it personally, he won’t buy it. He says he is still obsessed with cars and always has been. He dreams about them, doodles them, stares at them, drives them, and tinkers with them.

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According to Mark, “St. Louis has a strong car culture and many collectors, but they don’t exclusively shop here. Like most enthusiasts, they want to travel, find what they have been looking for, and buy a souvenir.”

Mark also has very rare cars like a Stanley Steamer Race Car, electric cars from the 1900s (yes, that is right!), and an Owen Magnetic which was the first mechanical/electric hybrid from 1915. If you want to feel like Jay Gatsby, there are majestic Rolls-Royces and Bentleys, Chryslers, and Cords. If you want something more stylish, Mark has many early Jaguars, Packards, Porsches, and Mercedes-Benz. For the younger collector who typically wants an exotic car, Mark has Ferraris, Lamborghinis, Aston Martins, Cobras, and Corvettes. If you are looking for a lesser-known classic, Mark is one of the few people in the United States who collects Facel Vegas. These French cars from the 1950s stand out because most people have never seen one or heard the name. According to Mark, one day in the late 1980s, someone called him to see if he knew anything about a car which had been sitting in a garage in north St. Louis County for at least 10 years. Of course Mark knew what it was, bought it on the spot, restored it, and sold it to a French collector. Since then, Mark has become well known among Facel Vega collectors worldwide.

When I asked Mark how he goes about collecting hundreds of cars (the business has sold nearly 8,000 to date), he said it happens in a variety of ways. Sometimes if a collector ages out of the hobby or dies, the family or estate will turn to Mark for help dispersing the collection. Many are bought at rare car shows, some at auction, and some are on consignment from clients. With Mark’s worldwide reach, the cars often get sold outside of the country but this is affected by exchange rates. When the dollar is strong, Mark buys from European collectors. When it’s weak, he sells to the world. It’s not unlike the art market. About 10% of his business is with St. Louis-area collectors.

His team is 15 people strong and responsibilities range from research, sales, marketing, detailing, photography, and mechanics.

While I wanted most of the cars Mark has, the one that really caught my eye was the red Mercedes-Benz 300SL Gullwing that frames Mark’s picture. It was always the “it car” from my childhood, and its limited production made it rare from when it made its debut at its first car show. In typical Mark fashion, he said, “It’s beautiful, and virtually perfect, but it doesn’t have air conditioning so it gets really hot in there.” My only thought was “princess problems.” sl

On any given day, rare cars come and go, get photographed, detailed, and mechanically improved. If a car needs a part, they find it somewhere in the world or make it from scratch. Mark reminds me, “Our clients expect it to be as good as it can get.”

By Craig Kaminer / Photos courtesy of Jazz St. Louis

THE JAZZ CITY IN AMERICA

world-class jazz education like Jazz St. Louis. Jazz St. Louis advances the uniquely American art of jazz through performance, education, and community engagement. Each year, this nonprofit organization presents over 270 performances in its internationally acclaimed concert series. Jazz St. Louis takes a three-pronged approach to its work: presenting jazz, encouraging and educating future audiences, and nurturing budding musicians. This year, the theme, “Feel the Vibe” promises signature can’tbe-missed concerts for a wide range of jazz tastes with greats like Cécile McLorin Salvant & Sullivan Fortner, Samara Joy, and Arturo O’Farrill & the Afro Latin Jazz Ensemble. The club will be swinging with energetic and boundary-defying musicians like the Delvon Lamarr Organ Trio, Etienne Charles’ Creole Christmas, The Baylor Project, and Sean Jones returns with Dizzy Spellz. Jazz fans will be treated to long-awaited debut performances from artists like Nella, Stacey Kent, Linda May Han Oh, and Joel Ross’ Good Vibes. There will also be a focus on emerging St. Louis talent from Dave Grelle’s Playadors to Jahmal Nichols’ Black Frequencies, and the new Build A Yes Collective. St. Louis is a city with a soul of jazz.

Students of Jazz Academy, JazzU, and in classrooms across the region can engage directly with professional touring artists. Residency artists like Tia Fuller, Mimi Jones, and Matt Wilson will work directly with kids throughout the week before performing public concerts over the weekend.

GREATEST

Sean

“We look forward to expanding our audience’s palate this season, weaving new and exciting artists into the mix with those they have come to know and love,” said Bob Bennett, artistic director of Jazz St. Louis. “With a plethora of talented St. Louis-based artists in the community, we also hope to shine a brighter light on great musicians who make up the fabric of our society.”

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The season kicks off with Eva Noblezada on September 14, 2022. Series and package subscriptions are currently available to the public for purchase including single ticket sales. Subscriptions and single tickets are available online at jazzstl.org, during box office hours via phone at (314) 571-6000, or in person at The Harold & Dorothy Steward Center for Jazz, located at 3536 Washington Avenue in the Grand Center Arts District. Please visit jazzstl.org for more information. sl

JSL’s Creative Advisor, Keyon Harrold, returns for the second of his three-year engagement graciously supported by the Mellon Foundation. Harrold’s impact can be seen in everything from Jazz St. Louis’ Artist Residency education program to the Whitaker Jazz Speaks Series. He also serves as a curatorial partner of the JSL back, presenting programs that take a deep dive into a historical or social aspect of jazz through various mediums led by a subject matter expert. Each includes a live-music performance. The 2022-23 season will include four FREE events with speakers like flutist and lecturer Oliver Nelson Jr. sharing stories about his father in his “Nelson on Nelson” program, and Keyon Harrold presenting “Midwestern Music Matters: Jazz, Blues, and Hip Hop.” Harrold will take on additional involvement with the St. Louis community as he assumes the role of host for the new season of The Next Set: Live From Jazz St. Louis, heard on Friday and Sunday nights on St. Louis Public Radio. Co-presented with the Cabaret Project of St. Louis, cabaret fans will have six stunning performers in the Contemporary Cabaret Package subscription including Lillias White, Ali Stroker, Darius de Haas, and perennial favorite Marilyn Maye.

Valentine’s Day with Anita Jackson, February 14

Marilyn Maye Big Band

Etienne Charles Creole Christmas, December 14 – 18

Sean Jones

Etienne

DariusLilliasSalvantWhitedeHass

A Very Manley Christmas with Jim Manley’s Mad Brass & Rhythm, December 9 and 10

Jahmal Nichols’ Black Frequencies, October 12

Arturo O’Farrill & the Afro Latin Jazz Ensemble, June 7 – 11

Marilyn Maye – ALL NEW Big Band Show, November 9 and 10

A Swingin’ Soulful Christmas with Denise Thimes, December 7 and 8

Darius de Haas – Day Dream: Variations on Strayhorn, April 26 and 27

Ellington’s Nutcracker, December 21 – 23 2023 Concerts

Samara Joy, May 10 – 14

Eva Noblezada, September 14 and 15

Stacey Kent, November 30 – December 4

Dave Grelle’s Playadors, November 11 and 12 Cécile McLorin Salvant & Sullivan Fortner, November 16 – 20 Jeremy Davenport, November 25 and 26

No Tears Project, April 28 and 29

Stefon Harris & Blackout, October 19 – 23 Antonio Foster, October 26 Back Pocket, October 27 Tia Fuller, Mimi Jones, Matt Wilson, October 28 and 29 John Pizzarell, November 2 – 6

Arturo O’Farrill by Laura Mariet

An Evening with Ali Stroker, May 17 and 18

The Baylor Project, February 15 – 19

Lillias White, March 22 and 23 Allison Miller’s Boom Tic Boom, March 29 – April 2

Storm Large, May 3 and 4

Dave Grelle Playadors

2022 Concerts

Delvon Lamarr Organ Trio, October 5 – 9

Sean Jones Dizzy Spellz, February 1 – 5 Jazz at Lincoln Center Group, February 10 and 11

Bria Skonberg, March 1 – 5

Joel Ross’ Good Vibes, April 12 – 16

Linda May Han Oh, May 24 – 28

Joey DeFrancesco, June 21 – 25 Cécile McLorin

Catherine Russell, March 15 – 19

Keyon Harrold, April 21 and 22

Red & Black Brass Band, September 16 and 17

Regina Carter, September 21 – 25 Build A Yes Collective, September 28 Adaron “Pops” Jackson, September 29 Nella, September 30 and October 1

SamaraCharlesJoy byNellaAlessandro Martino Sullivan Fortner by Carol Friedman Sullivan Fortner Keyon Harrold slmag.net

The Bad Plus, January 4 – 8, 2023

522 S. HANLEY ROAD @ WYDOWN | CLAYTON, MO 63105 BUDSSTL.COM | 314.371.4646 | HELLO@BUDSSTL.COM | @BUDSFLOWERSSTL by Tony Montano NOW OPEN

dialect "Countach," used to underscore the extraordinary nature of something witnessed, was added to the car's name just a few days before its official presentation, after a Carrozzeria Bertone technician had seen it under production and couldn't contain his surprise.

THE END OF AN ERA

This year, Lamborghini is celebrating its V12. For nearly 60 years, the legendary 12-cylinder engine has equipped the most iconic models of the House of Sant'Agata Bolognese—the Countach and the LM 002. However, in its final evolution as a "pure" internal combustion engine, the V12 will go out of production when the last Aventador Ultimae rolls off the production line in late 2022.

Photos and text courtesy of Automobili Lamborghini S.p.A. As the sun sets on the production of its V12, Lamborghini shares the story of two models— Countach and LM 002— that are diametrically opposed but share the same extraordinary 12-cylinder mechanics

The Countach, unveiled in 1971 and produced from 1973 to 1990 in 1999 + 1 units, is one of the most iconic cars in automotive history. Taking the performance and driving pleasure of grand tourers off-road, the LM 002 went down in history as the first massproduced ultra-high-performance off-road vehicle, with 300 units produced between 1986 and 1993. Even before its official unveiling at the Geneva Motor Show in March 1971, the LP 500 had astonished the world with its extreme, futuristic appearance. In fact, the exclamation in Piedmontese

Introduced as an "idea car" to see whether the public would be interested in such an extreme car, it was equipped with the 60° V12 engine that had already performed so well on previous transverse rear mid-engine Lamborghinis. This time, however, the engine was mounted in the rear-longitudinal position, a new technical solution at Lamborghini. LP 500 was so successful that, even before the end of the Geneva show, Ferruccio Lamborghini had decided to put it into production. Nevertheless, the LP 500 remained a one-off, modified several times during the grueling road tests conducted by test driver Bob Wallace over the next three years, and destroyed in the crash tests required for homologation on March 21, 1974.

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In 1978, after 152 units had been produced, the Countach LP 400 was transformed into the LP 400 S, acquiring the more elaborate shape that characterized it for the next twelve years. The "S," was modified at the frame and chassis level to make the period's technical novelty—the super low-profile Pirelli P7 tires—perform better, but also at the aesthetic level. To accommodate the new enlarged brakes and wider tires, it became necessary to adopt wheel arch extenders, while the increased performance dictated the use of a more aerodynamic front spoiler. In addition, certain enthusiasts added a rear wing to complete the aerodynamic package.

Following production of 323 units through 1984, it was replaced by the Quattrovalvole, considered by many to be the best combination of aesthetics, performance, reliability, and comfort.

In 1982, after production of 235 units, the 400 S was replaced by the LP 5000 S, still equipped with the legendary V12 but now increased to a capacity of 4.8 liters (4754 cc) for 375 hp at 7000 rpm.

The V12, in addition to the adoption of the four valves per cylinder, was modified to increase the displacement to 5.1 liters (5167 cc) for a maximum power output of 455 hp at 7000 rpm. The Quattrovalvole version was the first to be officially homologated for and imported to the United States, where, however, its carburetors were replaced by electronic fuel injection.

From the indications provided by the LP 500, the LP 400, delivering 375 hp at 8000 rpm was born, going into production in late 1973, equipped with the traditional 4-liter engine. Due to the notch in the roof used to improve visibility through the interior rearview mirror, it is now known by the nickname "Periscope ."

After a 1979 LP 400 S made it to the big screen in 1981 as a leading character in the movie The Cannonball Run, the Countach appeared in the bedrooms of teenagers around the world, hanging on the walls as the favorite poster of an entire generation.

The 25 Anniversario adopted improved aerodynamics, some body panels made of composite material, and a more luxurious interior while retaining the mechanics of the Quattrovalvole. Incredibly, demonstrating the excellence of the Countach design, still innovative after 17 years of production, the 25 Anniversario was the series with the highest production numbers at 658 units. The last Countach,

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The opening of the US market allowed new sales volumes, and the Quattrovalvole was produced in 631 units up to 1988, when it was replaced by the Countach 25 Anniversario, so named to celebrate the 25 years since the founding of Automobili Lamborghini.

The LM 002 was commonly nicknamed the "Rambo Lambo" for its muscular appearance and because one of them, at the time, was owned by actor Sylvester Stallone. However, an Italian journalist gave the best definition of the LM 002, writing after a test drive: "At 200 km/h, the LM 002 doesn't slice through the air. It smacks it with pride."

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During the "Countach years," the company management sensed that there might be a market for a high-performance off-road vehicle with luxury finishes. The LM 002 used the mechanics of the Countach engine in the 5.2-liter version with power reduced by 20 hp to use less refined fuel without running into problems, turned 180°, and shifted to the longitudinal front position. A four-wheel drive transmission was added, complete with a central differential and low gears. Like on the Countach, what remained was the tubular chassis, never before seen on an off-road vehicle, usually used exclusively on racing cars or the most sophisticated sports cars.

Thus was born an extraordinary car capable of cruising on the highway at sports sedan averages and tackling extremely demanding off-road routes. The LM 002 was the vehicle that created the market for sports SUVs and the progenitor, at least spiritually, of today's Lamborghini URUS. It was produced in roughly equivalent numbers with carburetor fueling first and fuel injection later, easily recognizable from each other by the "hump" on the hood, which was much more pronounced on the carburetor models.

If you're wondering why 1999 + 1 units were produced, the reason is simple. The first LP 500, physically made by Bertone, did not have a Lamborghini chassis number but a Bertone one. Therefore, the first Countach is the LP 400 chassis number 1120001 produced in 1973, initially red and then repainted green, with several aesthetic differences from the cars that would follow.

One example of LM 002 was equipped with the 7.2-liter 700 hp V12 engine usually used on off-shore boats, while another was prepared under the guidance of technical advisor Sandro Munari, a former World Rally champion, to compete in endurance races in the desert. There are so many anecdotes associated with the LM 002, including its ability to pull a Leopard tank or, equipped with a tow hook, a trailer with a lucky collector's Miura onboard.

Grigio Metallizzato (metallic gray) with gray interior, rolled off the assembly line on July 4, 1990, and went straight to the MUDETC, the company museum in Sant'Agata Bolognese.

Hurtigruten's Coastal Express makes it easy to explorethe beauty of the Norweigan coast.

Written by Claire Williams Rarely do I get the feeling of being "off the grid," but I did so on a recent trip to Norway. I'd describe the experience as something out of a fairytale for those who've never ventured that far north. The coastal archipelago, with its soaring mountains, waterfalls cascading down mammoth rock faces, and greenery as far as the eye can see, reminded me of the first aerial view of Neverland that leaves Wendy wide-eyed when flying with Peter Pan, complete with rainbows bowing over the magical scene. However, the beauty and tranquility that's so captivating also pose a challenge. While Peter Pan might be able to hover over the varied topography of Neverland and visit every little isle with faith, trust, and pixie dust, we mere mortals, unfortunately, don't have that Sinceluxury.1893, this is where the Hurtigruten Group comes in (hurtigruten.com). The company is not only a necessity for being able to visit Norway off the beaten path but also vital for Norway in itself. We had the pleasure of boarding the MS Nordkapp to join part of the southbound journey on its Coastal Express (hurtigruten.com/destinations/norway).

Upon embarkation, you're greeted by authentic Norwegian touches. Andre Pettersen, Vice President of Hotel Operations, explained this intentional design ensures that the vessel doesn't feel like an IKEA showroom but rather like stepping into a Norwegian home. Nature and landscape motifs, coupled with areas of exposed wood that call to mind Lincoln Logs, gave me the impression that I was staying at a floating mountain lodge. Amenities spread across the ship's seven floors included a sauna, two Jacuzzis, a gym, various dining options, a rooftop bar, and an open-top deck optimal for viewing the fjords or taking a spoonful of cod oil to celebrate crossing over Artic Circle. As a company, the Hurtigruten Group stands apart for being highly focused on sustainable cruising, including removing single-use plastic from their entire fleet and building the first-ever hybrid-electric powered expedition cruise ships. This past June, Hurtigruten Norway launched two iconic sailings – the Svalbard Express and North Cape Express, which will set sail in 2023 on board the fully refurbished MS Trollfjord. The new itineraries will bring an elevated addition to the existing Coastal Express product for the first time in the brand’s history.

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FJORD EXPEDITION

Kysten Arctic fine dining restaurant aboard the MS Nordkapp. Photo by Simon Skreddernes. Cruising the Hjørundfjorden fjord. Photo by Fabrice Milochau. slmag.net

Aerial view of Trollfjorden. Photo by Stian Klo.

Hurtigruten Norway’s CEO Hedda Felin said locals celebrated Hurtigruten's return to regular frequency after the pandemic by donning their traditional Norwegian garb as the ships docked in their harbors. Felin is one of two female CEOs in the company, with Asta Lassesen serving as CEO of Hurtigruten Expeditions.

A defining characteristic of its Coastal Express route is visiting multiple ports daily and 34 in total on the six-day sailing from Bergen in southern Norway to Kirkenes in the far north. While the stops allow visitors a chance for interesting shore excursions, it also enables Hurtigruten to live up to its name as the "lifeline of Norway" by delivering medicine, mail, cars, and goods at each port. With 90% of the Norwegian population living by the sea, Hurtigruten’s Coastal Express is vital to their livelihoods.

An integral aspect of the Hurtigruten Coastal Express experience is its Coastal Kitchen. A partnership between awardwinning Norwegian chefs Astrid Nässlander and Halvar Ellingsen with Hurtigruten Norway’s own Head of Food and Beverage Øistein Nilsen, means that passengers aboard the Coastal Express can revel in sustainably sourced, locally crafted, and seasonallyinspiredHurtigrutenplates.

Norway relies on 70 local producers to deliver to the ship at numerous stops during its voyage. Pettersen described the Coastal Kitchen as "not a concept, but the DNA" of Norway. As a native of the United States who has lived in France for the past four years, I concur that a country's cuisine is the best storyteller of its people and culture, and Norwegian food is just that. Before boarding the MS Nordkapp, we had the pleasure of meeting Halvar Ellingsen, one of the critically acclaimed culinary ambassadors that helped craft the menu for Hurtigruten's Coastal Kitchen, at his own farm and rustic inn in Kvitnes (kvitnes.com/ en/forside). Ellingsen said he was tired of hearing the term "farm to table" thrown around and decided to take it literally. As a result, everything Ellingsen serves to guests comes directly from his farm; the only ingredients they outsource are basics such as flour and sugar. Ellingsen even goes as far as to use lamb bones as coals for the fire and cow manure as biogas, to try to make his operation as sustainable as possible.

Auora Over Svolvaer, Norway. Photo by Richard Choi.

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At each stop during our sailing adventure, which allowed us to take full advantage of the arctic summer's midnight sun, there was always something new to discover. We trekked up the side of a mountain, which according to Norwegian lore was actually comprised of poor unfortunate trolls. At one stop while touring the Atlantic Ocean Road, one of Norway's most cinematic and picturesque coasts, we spied brave locals jumping from a bridge into the icy port waters in their "tighty whities."

Passing by the Brudesløret waterfall. Photo courtesy of Visit Norway.

As the only expedition cruise line, Hurtigruten Expeditions’ longer portstays and a fleet of small boats takes guests closer to the areas they explore.

Photo by Andrea Klaussner. slmag.net

The rural Kvitnes Farm, operated by celebrated chef Halvar Ellingsen, a consultant for Hurtigrutens’ Coastal Kitchen program. Photo by Kristin Dahlen Rogstad.

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Award-winning chef and Hurtigruten Coastal Kitchen collaborator Halvar Ellingsen at Kvitnes Farm. Photo by Kristin Dahlen Rogstad.

Photo by Kristin Dahlen Rogstad.

Kvitnes farm is the embodiment of field and farm-to-table.

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A continuation of the hospitable thread running throughout Norway, the Kvitnes farm, built in 1730 by Ellingsen's great-great grandfather, and where they've unearthed swords dating back to the time of the Vikings, truly felt like staying at someone's house in the least intrusive way possible. We removed our shoes before entering, were welcomed to relax in front of the fire, and ate dinner in our cozy wool socks. Our extensive 13-course dinner was a master course in freshness and how sometimes less is more, as the plates didn't rely on frivolity and Ellingsen let the natural flavors sing. Our Swedish guide Anders made it clear that his idea of "spice" is salt and pepper, as the ingredients sourced in Norway already provide enough flavor. We feasted on reindeer, halibut, whale, and even lamb testicles. During our meal, Ellingsen's farmhands, dressed in their Sunday best, doubled as servers and sommeliers. They'd pour a new wine with each course while taking brief intermissions to go outside, hike up their skirts, and wrangle the goats going astray in the pasture. The cuisine of Norway truly runs parallel with its people and culture: no frills, down-to-earth, land-focused, and adventurous.

Hurtigruten Norway's lineup of chefs has managed to weave seaweed throughout every aspect of the menu. From arctic char with parsley and kelp emulsion to goat tartare with truffle seaweed mayonnaise, the Coastal Kitchen has elevated an often overlooked ingredient. During our time on "the world's most beautiful voyage," not only were we well fed, but genuinely spoiled by a most accommodating crew and the natural wonders of Norway. Hurtigruten is simply and quite literally a vessel for witnessing Norway's breathtaking heart and landscape in its purest and most natural form.

Ellingsen boasts that although he hosted 2,800 guests last year at the nine room inn (with just as many on a waitlist for a coveted reservation), he hasn't purchased vegetables from an outside source in over two years. In France, where my next pain au chocolat is always a cobblestone street away, it was incredible and admirable to see someone's life so dependent on the natural world's rhythms.

A Hurtigruten Coastal Kitchen chef with the catch of the day. Photo by Agurtxane Concellon.

Kysten, Hurtigruten Coastal Express's fine dining restaurant aboard the MS Trollfjord, highlights seaweed, the unsung hero and lungs of the sea. The kelp forests in Norway are major carbon sinks.

A Brief History of Paint Let’s start at the very beginning: 20,000 years ago, the first artists mixed charcoal with animal fat to make cave paintings. Then, in Pharaonic Egypt, artists mixed pigments into thinned egg yolks, known as Tempera, which remains on tomb walls today. It wasn’t until the Renaissance that artists discovered how to bind pigments to oil, a revolution that changed how images circulated. Tempera was limited to walls and wood panels, whereas oil adhered to canvas, a game-changer that made art more transportable (and shareable… kind of like the internet). Following this breakthrough, oil dominated for centuries—that is, until acrylic paint entered the picture when it was invented in the 1960s.

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From Silkscreen to Computer Screen The invention of painting software in the 1980s transformed paint from a physical object into code. Warhol—prescient in almost everything it seems— famously said: “Paintings are too hard. The things I want to show are mechanical. Machines have less problems.” So naturally, he embraced this new form of painting. Warhol made it official in 1985 when he created a digital portrait of pop star Debbie Harry using Deluxe Paint software on a personal computer, the Commodore Amiga 1000, heralding a new age of pixels-as-paint.

The future is in plastics. Acrylic paint is water-soluble and can be thinned to a watercolor-like consistency while the color stays bright (think neon), synonymous with the 60s aesthetic. And unlike oil, which dries super slowly, acrylic dries fast, thus speeding up production. Andy Warhol famously used acrylic paint in his silkscreens, a commercial production mode where the image can be endlessly reproduced.

Case Study: David Hockney David Hockney (b. 1937), a classically trained painter, was quick to adopt digital art tools in the 1980s––and not as a media stunt, like Warhol the influencer––but to augment his painting practice. He first used a fax machine, then a color Xerox machine, to make digital prints. A series of 33 “Home-Made Prints” sold for nearly $1 million at Sotheby’s in 2021, demonstrating the level of demand for these works of art.

From Pigment to Pixels

By Wendy Cromwell

PAINTING

Using a photograph he took of Debbie Harry for digital manipulation, Andy Warhol demonstrates the new Amiga Computer at Lincoln Center, New York, New York, July 23, 1985. (Photo by Allan Tannenbaum/Getty Images)

3.0

For decades, artists have experimented with digital tools, often incorporating or referencing technology in their paintings. As a result, cutting-edge collectors have come to seek, if not expect, these innovations from artists. At the same time, art is now part of the direct-to-consumer economy through online platforms and auctions. As the time we spend online accelerates, we are ever more seduced by the virtual experience of art, which continues to improve as technology evolves. Increasingly, paint and code are interchangeable. How did we get here? Prior to the global pandemic, I resisted looking at art online. But with increased screen time, I’ve come to appreciate the giant role technology plays in painting. While the artists who focus on this phenomenon have come to define an era, what lies ahead in terms of Web 3.0 and the Metaverse will make this moment seem quaint!

With the invention of the iPhone (2007) and the iPad (2010), Hockney used painting software to sketch outdoors, creating a suite of “iPad drawings” that were digitally printed onto paper in limited editions. Hockney stated: “This is the closest I’ve ever come in printing to what it’s like to paint: I can put something down, evaluate it, alter it, revise it, all in a matter of seconds.” An added bonus? “I realized that with the iPad I could draw without moving from my bed.” We feel that too.

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1. Avery Singer (b. 1987) - Happening, 2014 achieved $5,253,000 at Sotheby’s in May 2022. Singer drafted the composition using SketchUp, a 3D rendering software, then projected the underdrawing on canvas, and painted over it with acrylic and airbrush.

4. Wade Guyton (b. 1976) - Untitled, 2006 sold for $5,989,000 at Sotheby’s in 2014. Guyton is known for his pioneering use of EpsonUltraChrome inkjet on canvas to create his paintings.

A SNACK-SIZED PRIMER FOR FURTHER EXPLORING The internet is your oyster! So here is some inspiration for your next painting-inspired internet rabbit hole… we’re just getting started. Cory Arcangel, Tauba Auerbach, Caitlin Cherry, Aria Dean, Jeff Elrod, Oli Epp, Urs Fischer, Charles Gaines , Wade Guyton, Camille Henrot, Tishan Hsu, Jacqueline Humphries, Jamian Juliano-Villani, Michel Majerus, Helen Marten, Julie Mehretu, Kate Mosher Hall, Albert Oehlen, Laura Owens, Oliver Payne, Seth Price, Rachel Rose, Analia Saban, Avery Singer, Frances Stark, Emma Stern , Sarah Sze , Julia Wachtel, Kelley Walker, Michael Williams, Jordan Wolfson , Christopher Wool, Anicka Yi, Allison Zuckerman

3. Laura Owens (b. 1970) - Untitled, 2016 sold for $1,593,000 at Sotheby’s in May 2022. Owens’ produced this painting by mapping cubic pixels (via screen printing) onto dyed linen.

Takeaway: Hockney’s reputation has benefited from his innovations in the digital space, keeping him in the game spanning a seven-decade (and counting) career and achieving icon status. Is there anything this guy can’t do?

Show You the Money While digital innovations in art still underperform the analog painting market, painters who incorporate technology are highly collectible, as indicated by the market intel below.

2. Julie Mehretu (b. 1970) - Emergent Algorithm (Manara Circle, Palestine), 2012 sold for $4,890,000 at Sotheby’s in May 2022. Mehretu incorporates digital architectural blueprints into her abstractions, which she renders in acrylic and ink on canvas on board.

Prior to founding Cromwell Art 18 years ago, Wendy Cromwell was Vice President of Sotheby’s Contemporary Art for nearly a decade. She ran a Fortune 500 corporate art collection before that, and consulted for several blue-chip art galleries while in graduate school. Wendy received her Master of Arts in Modern Art from the Institute of Fine Arts of New York University and graduated from Smith College with a Bachelor of Arts in Art History. Wendy is past president and current board member of the Association of Professional Art Advisors and a member of the Appraisers Association of America. For tasty bites of art world knowledge delivered to your inbox monthly, subscribe to the Cromwell Art Snack.

One of Hockney’s iPad prints, The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 4 May, 2011, edition of 10, achieved $671,000 at Phillips in March 2022. In a plot twist, Hockney’s steady production of editioned prints didn’t dilute his market; rather, the opposite occurred. In 2018, Hockney’s acrylic on canvas painting, Portrait of an Artist (Pool with Two Figures), 1972 fetched $90 million at Christie’s, crowning Hockney the most expensive living painter.

One hundred percent of plant fiber byproduct (bagasse) is repurposed for fuel, electricity, and organic fertilizer. In addition, a quarter of the company's agricultural investments are devoted to research, including AgTech. After fermentation and distillation, one hundred percent of the residual liquid (vinasse) is treated and used for irrigation, conserving more than 5M gallons of water annually. The distillery produces its own cane plants, grafted

Were it not for the fire-engine-red coloring of its buildings, the distillery operations at Rhum J.M. on the island of Martinique would be nearly indiscernible from the verdant jungle that envelops the 1,000-acre estate at the base of Mount Pelée. For the past decade, the operations in this Eden-like setting have been continuously refined to leave as light a footprint as possible on the environment. This process, now codified, was unveiled this past Earth Day as "The EDDEN Project," an acronym translated from French as "Committed to the Sustainable Development of our Ecosystems and our Nature." The origins of the distillery and farmland, situated in a distinct terroir-driven tropical climate with high cloud cover and mineral springs, can be traced back to 1790. J.M. grows seventyfive percent of the sugarcane used in its aged rhum agricole production on steep slopes rich with volcanic soil and chooses to harvest later than other growers to impart more terroir into the finished"Creatingproduct.aremarkable rum, which honors the prestigious brand Rhum J.M., requires significant patience, as the process is quite lengthy," says Karine Lassalle, Master Blender of Rhum J.M. "An aged rum for Martinique requires a minimum of three years to produce. Therefore, we need patience and passion because none of this would be possible without passion. And humility, too."

GREEN JUICE

Written by Bridget Williams

With The EDDEN Project, Rhum J.M., one of the world's best producers of aged rhum, commits to a cleaner, greener approach to distilling.

In Martinique, rhum production and banana cultivation are the most substantial industries, even ahead of tourism. Wanting to preserve this agricultural legacy, as part of The EDDEN Project, J.M. has utilized key practices to hone their craft within a full circular economy. "We are dedicated to making quality align with longevity," said Emmanuel Becheau, Director.

Rhum agricole differs from rum in that it's made from sugar cane juice as opposed to the fermented molasses used to distill a predominance of rums on the shelf. The sugar cane juice imparts rhum with an earthy, grassy flavor and a less syrupy mouthfeel than molasses-based rum. Rhum is also the French spelling of rum, and similar to champagne, true rhum agricole should only be labeled as such when produced in the French territories of French Guiana, Guadeloupe, Martinique, and Réunion. Also similar to wine, Martinique has its own Appellation d’Origine Contrôlée (AOC) that dates to the 1970s.

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The company is supporting a growing interest in ecotourism, taking visitors behind the "label" to see the complete process by witnessing it firsthand on the property. Plans include educational touch points throughout the distillery to explain the Rhum Agricole production process and steps toward sustainability at each point in the cycle, as well as extended guided tours to the agricultural areas of the property to showcase sugarcane cultivation.

"With EDDEN, we're sharing these advancements because this is the way. Exceptional because it is authentic. Exceptional because we care. J.M is at the crossroads of modernity and tradition, and there is much more on the horizon," remarked Grégoire Guéden, CEO of Spiribam, which imports Rhum J.M. into the United States.

from nodes in their nursery and planted near the distillery. They currently use three main varieties of cane that are particularly suited for the property's microclimate.

By the end of this year, the brand will obtain the Haute Valeur Environmental (HVE) Level 3 Certification, meaning "high environmental value," awarded by the French Ministry of Agriculture to farmers focused on key areas of environmental conservation. J.M. is working toward full Level 3 certification, the highest level, which includes achievement in biodiversity conservation, plant protection strategy, fertilizer use, and management of water.

"The lover of J.M. must be certain that behind each bottle, passionate women and men have given meaning to excellence by preserving their ecosystem, enhancing the raw material, passing on the gestures and the secrets of ancestral know-how, and sharing the love and the flavor," said Bechaeu. sl

Social responsibility is also a core component of EDDEN, with the company proudly touting that women hold seventy-five percent of its management positions. In 2021, J.M. became part of the U.N. Global Compact, which offers its members a voluntary engagement framework on the ten principles to respect regarding human rights, the right to work, the environment, and the fight againstJ.M.corruption.partnered with Péyi Vert Project, which aims to plant one million trees in Martinique in the next five years to increase local biodiversity, restore the fertility of degraded soils, fight against air pollution, and reconstitute a green belt for public enjoyment.

The distillery has pledged to plant 120 trees annually, with one year already complete. This past May, Rhum J.M. became the first member from Martinique to receive the Bonsucro Certification, an international not-for-profit governance group established in 2008 to promote sustainable sugarcane and reduce the environmental and social impacts of sugarcane production while recognizing the need for economic viability.

TAKE

A handmade, one-of-a-kind vintage Kirk Kara piece from the 1980s made with almost 9 carats of diamonds (price upon request). Inquire through the Richter & Phillips Co. in Cincinnati, Genesis Diamonds in Nashville, and at kirkkara.com. Bee Goddess bow bracelet ($15,550; beegoddess.com). Jemma Wynne Anniversary bow ring ($5,460; jemmawynne.com). Arman Sarkisyan Bow earrings ($6,560; armansarkisyan.com). KC Designs gold & diamond bowtie ring ($450). Available through Moyer Fine Jewelers and Res-Nichols in Indianapolis, Genesis Diamonds in 46 slmag.net

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Clockwise from top left: I. Reiss diamond bow-tie necklace ($4,000; ireiss.com). Rose gold diamond bow earrings from EF Collection ($1,595; efcollection.com). PICCHIOTTI Fiocco bow ring in white gold with tsavorite & white diamonds ($33,000) Available through Moyer Fine Jewelers in Indianapolis, Elleard Heffern Fine Jewelers in St. Louis and picchiotti.it/en. Knot diamond bangle in white gold from Carelle ($10,460) Available through Ellard Heffern Jewelers in St. Louis and carelle.com. Colette bow hoop earrings ($6,920; colettejewelry.com).

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Mary and Larry Roberts built an arena on their family farm in Wilmington, Ohio, thirty-five years ago that hosted many futurities and circuits. However, when the next generation of the Roberts family took an interest in horses, their efforts went from a trot to a full-on gallop. Roby Roberts and his wife Jennie rebranded the Wilmington arena as the World Equestrian Center in 2016. They made numerous improvements to the 200-acre site, previewing the ample amenities for spectators, visitors, and competitors at their next project: World Equestrian Center Ocala.

Ground level in The Grand Arena with The Equestrian Hotel in the background. Photo by Andrew Ryback.

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Written by Bridget Williams

A move punctuated when the luxurious Equestrian Hotel (equestrianhotel.com) opened its door at the WEC last May.

THE EVENTMANE

For quite some time, Lexington, Kentucky, and Ocala, Florida, have been engaged in a chess-like series of legal and PR maneuvers to lay claim to the title of being the "Horse Capital of the World." Ocala declared a definitive "checkmate" two years ago with the World Equestrian Center (WEC) opening.

Providing the brains and budget for the WEC and the Equestrian Hotel is the Roberts family, who self-made their fortune in the trucking industry before diversifying their portfolio with several real estate, equine, and hospitality ventures, among others. Mary Roberts led the family's foray into horses four decades ago, beginning with 4-H and progressing to the All American Quarter Horse Congress.

Ocala's foray into the equine industry dates back to World War II, when Carl Rose established Rosemere Farm, the area's first Thoroughbred farm. Rosemere's soil has a similar limestone composition famous in the Bluegrass for producing nutrient-rich grasses and fast, healthy racehorses. Success for Sunshine State-bred horses came quickly, with Needles winning the Kentucky Derby in 1956, the first horse from Florida to do so. This was followed by Carry Back in 1961; Triple Crown winners Affirmed and American Pharoah in 1978 and 2015, respectively; and. most recently, Derby winner Nyquist in 2016. Today, there are nearly 1,000 racehorse farms in Ocala/Marion County, giving it the statistical designation of being home to more horses than anywhere else in the United States.

With a comprehensive lineup of events and beyond-the-barn amenities encompassing everything from fine dining to fashion, Ocala's Equestrian Hotel isn't just for the horsey set.

Leaving the bright Florida sunshine to step into the expansive lobby is a transportive experience. My eyes darted around the space, taking in the soaring ceilings, polished black marble floors, multiple seating areas with comfy custom furnishings, and the greatest assemblage of canine portraits I've ever seen in one space.

branches festooned with Spanish moss. As the five-story, 248-room hotel reveals itself, the clean lines of its bright white exterior topped with a mansard roof belie the gilded opulence inside.

Near the check-in desk, bunches of blooms, artfully arranged in tall vases, adorned a marble-topped gilded table under a substantial crystal chandelier. The scene is part Ralph Lauren Home, part Palace of Versailles, and totally unique.

WEC Ocala is best described as a state-of-the-art, resortstyle equestrian sports venue, a Disneyland for equestrians if you will.

Horses are just as pampered as people with 2,200 12x14 rubber-matted stalls spread throughout a network of permanent climate-controlled barns linked to one another and the arenas via covered walkways.

The hotel sits at the terminus of a long drive that winds past barns and outdoor arenas and into a grove of Southern live oaks, creating a postcard-perfect scene of riders ambling along under

The Ocala WEC sits on 378 acres next to the Golden Ocala Golf & Equestrian Club, which the Roberts Family has owned for 17 years.

In full disclosure, I was never a "horsey" girl, preferring team sports to the saddle. But, with that said, you can't help but admire the scale of the operation and the equestrians themselves. Young girls accessorized their pigtails with petite bows and their riding britches with a shiny and iconic "H" buckle. At the same time, more mature women with light makeup and casually tousled ponytails were every bit the epitome of the French je ne sais quois. Coincidentally, that "certain something" style also permeates the hotel's interior design.

One of Mary Roberts' passions is design. She and Ric Owens, principal designer at Roberts Design, are responsible for the European and equestrian-inspired interiors that are simultaneously elegant and approachable, whimsical but not kitschy.

During our long weekend visit, the $140,000 Lugano Diamonds FEI CSI3* Grand Prix was taking place in the Grand

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Passing through our room's vestibule, I was immediately drawn to a large picture window that framed the view of colorful and welllandscaped oxers and verticals already in place for that evening's competition under the lights. A pair of 30' x 60' LED walls at the far end of the arena brought the action even closer.

Painted Kelly Green with gilded trim, the entrance to the Yellow Pony is easily discernable from the lobby's predominantly black and white palette. The sole outlet on the property with a bar open in the evening, it's the place to be during happy hour and after, as the hearty, well-executed, and elevated bar food is as much a draw as the extensive cocktail menu.

There are several distinct dining destinations on the property. In the hallway that leads to Emma's Patisserie, oil portraits of dogs, displayed in the same gilded frames as those in the lobby, take on a more playful bent and are joined by anthropomorphic images of wildlife as nobility. We made far too many trips here, unable to resist the stunningly beautiful and exceedingly delicious confections

The sweet surprises continue next door to Emma's at Mr. Pickles & Sailor Bear Toy Shoppe. Just inside the main entrance, the original Geoffrey from the Toys R Us flagship in New York City peers above a menagerie of stuffed animals, some as animated as the wide-eyed children ogling the toys. Everything in the shop was hand-picked by Mary Roberts, including one of the most comprehensive selections of Breyer horses and accessories I've seen in one place.

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created by Executive Pastry Chef Yohann Le Bescond. A native of Treffiagat, France, Le Bescond began his formal training at age 15. And, we weren't alone in heeding sugar's siren song as there was regularly a line out the door at any given time of day.

Equestrian inspiration is everywhere, from the bold custom carpet leading to guest rooms to the stirrup detail on a decorative bed pillow and polished bit-style pulls on the nightstands. Calm colors, subtle shimmer, and patterns, such as a herringbone carpet that calls to mind vintage tweeds, create a serene scene.

Arena, which is situated directly behind the hotel. This positioning grants all rooms on the backside a front-row seat to the action.

Dining al fresco during the VIP experience at Stirrups Restaurant, whose covered terrace is adjacent to the Grand Arena. The Yellow Pony boasts an extensive craft cocktail menu. 52 slmag.net

An on-site nondenominational chapel and extensive banquet facilities made the WEC and ideal spot for destination weddings. The Yellow Pony. Photo by Ethan Tweedie.

Horse to Water Pool & Bar. Photo by Ethan Tweedie.

While equestrian events are the backbone of the operation, there are plenty of other ways to horse around at the World Equestrian Center. Before the end of the year, for instance, there's a Festival of Speed car show, Ocala Comic Con, breed-specific dog shows, and the Ocala Wine & Food Festival. For more information, visit https://worldequestriancenter.com/ocala-fl. sl Living area of a guest room overlooking The Grand Arena. Photo by Ethan Tweedie.

Stirrups Restaurant sits at the pinnacle of the dining experiences in terms of its interior design and offerings. On Saturday nights when competition occurs in the Grand Arena, the restaurant offers dinner and a show: a three-course VIP dining experience on its covered terrace. At just 7,000-square-foot, the Equestrian Hotel's Calluna spa offers a comprehensive lineup of body and face treatments and salon services. While a signature massage would have been apropos following an afternoon of trekking from arena to arena and checking out more than two dozen independent retailers, I opted for a decadent 80-minute HydraFacial that left me absolutely glowing. In addition, the coolness of the serums applied during the treatment refreshed my skin, which was still warm from soaking up the sun at the pool. Service at every level was exceptional, something that Director of Hospitality Justin Garner attributes to opening during the height of the pandemic. "I had been furloughed like many others in the travel industry. With so much talent sitting on the bench and looking for an opportunity, it was an ideal time for the hotel to recruit and secure great people."

Several fast-casual outlets on the property cater to event participants with good eats. These include Filo's Mexican Cantina; design your own salad, pasta, and pizza at Viola & Dot's; sweets at Miss Tilly's Lollipops; the Horse to Water poolside bar and grill; and classic diner fare at Ralph's.

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Sardinian-born furniture maker Renzo Frau founded Poltrona Frau in Turin, Italy, in 1912. Noted for its extensive catalog of designs that have ascended to icon status today, the company is headquartered in Tolentino, a small town in the Marche region of central Italy. In 2021, the Italian government recognized the company as a Historic Brand of National Interest. The anniversary slogan "100+10 Years of True Evolution" was coined to highlight what the company says is a consistent and honest evolution rooted in heritage, design, and sustainability as strategic development levers. Poltrona Frau is using the occasion to lay the foundations for a future that holds experimentation with new aesthetic languages and sustainable production.

Written by Elliott Greene / Photos Courtesy of Poltrona Frau 110 YEARS OF HistoricEVOLUTIONItalianleatheratelierPoltronaFraumarksamilestone through landmark collaborations and executing a vision for a more sustainable future.

Strategic collaborations with Acqua Di Parma, Ferrari, Loro Piana, Moto Guzzi, Ducati, Costa Cruises, Ferrari, and Cantina Luce della Vite, among others, have resulted in the creation of unique and sophisticated objects that confer style and elegance and further emphasize Poltrona Frau's grasp of what it means to be a lifestyle brand.

In the last decade alone, Poltrona Frau has launched more than 200 products within 40 different lines for the home, both inside and out. These include accessories and furnishings, textile collections, fashion leather accessories, and contract furnishings. These innovations have moved the brand from being a furniture company into a lifestyle brand.

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In celebration of the 100+10 anniversary, more than 20 products were presented at the Milan Furniture Fair this past June. United under the moniker of "True Evolution," the collection reinterprets some iconic products from the brand's catalog with a focus on comfort and softness. The company's fruitful and established collaborations with designers GamFratesi and Roberto + Ludovica Palomba were integral in creating new furnishings. At the same time, they embarked on a new partnership with Bulgarian designer Assia Karaguiozova, known for her creative experiments with artisanal techniques.

A testament to Poltrona Frau's strategic journey towards sustainability, a series of limited edition pieces are upholstered with the new Pelle Frau® Impact Less Leather, tanned with natural ingredients and without the use of chromium for a reduced environmental impact. The brand is committed to replacing the Pelle Frau® ColorSphere® (CS) collection with this innovative leather by the end of 2022 and aims to reduce its Co2 emissions by 50% by 2030. sl

Diversification and versatility have been company cornerstones from the beginning, with the brand furnishing cruise ships, institutional venues, and cars for VIP customers of Vincenzo Lancia. This fluidity translates into the ability to create pieces and spaces that interpret the needs and nuances of contemporary living in various settings, including home, office, naval, automotive, and hospitality. Collaboration between Poltrona Frau and some of the world's most renowned international architecture firms—Zaha Hadid Studio, Foster & Partners, David Chipperfield Architects, and Studio Odile Decq—have allowed it to leave an indelible mark on globally significant buildings. For example, at the Walt Disney Concert Hall in Los Angeles, the audience sits on Poltrona Frau seating.

Volare bed, Fidelio small table, Lyra armchair, T904 bench 59’ Tirranna Cigarette boat with Poltrona Frau upholstery. The limited edition Ducati XDiavel Nera with Pelle Frau® leather, a soft natural leather saddled by hand, the result of years of research by the Interiors in Motion business unit of Poltrona Frau.Boundless Living outdoor collectionslmag.net 55

LOOKS&BOOKS

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Book

Book Images of the sleek and sexy Riva Aquarama conjure up endless summer days cruising Lake Como and the shores of the Amalfi Coast, This book, edited by Assouline, celebrates the craft’s 60th anniversary and the icons that fell under its spell. Michael Verdon—Riva Aquarama— hardcover in a luxury rubber clamshell case, 208 pages, assouline.com Look Grace double silk satin maxi dress from Il Volo ($850; ilvolostore.com). Photo by Alberto Alicata.

This book represents the culmination of two decades that former Classic Boat editor Nic Compton spent sailing and photographing classic yachts. Nic Compton—Ultimate Classic Yachts— hardcover, 160 pages, Bloomsbury Publishing Look London denim jumpsuit ($500) and Piano sleeveless shirt from VOL (vol.shop/shop)

Book The fifth edition of the standard book on the subject for practicing designers, naval architecture students, discerning boat owners as well as the boatbuilding industry as a whole. Lars Larsson, Rolf Eliasson, Michael Orych—Principles of Yacht Design—hardcover, 400 pages, Bloomsbury Publishing Look Paloma Blanca silk dress (front; $520) and Marmont silk dress (back; $790) from VOL (vol.shop/shop) slmag.net

Book The aura and romance of Chris-Craft, founded in 1874, shines through in this book, which features more than 200 boats--from never-before-published archival images to gorgeous color photos of collector and new boats--as well as plans and ephemera from Chris-Craft's own collection. Nick Voulgaris, III—Chris-Craft: An America Classic—hardcover, 224 pages, Rizzoli International Look Joy blouse from Il Volo ($470; ilvolostore.com)

"A lot of time, people don't think about wine as an asset," said Garth Hodgdon, Director of The Legacy Cellar Foundation. "Serious wine collection is intentional, and collectors often have more wine in their cellar than they could ever drink." And this is where The Legacy Foundation steps in. The privately endowed 501(c)(3) donor-advised fund collects, authenticates, and liquidates wine collections for charitable purposes.

What sets The Legacy Cellar apart from other auction houses and sales outlets is that as a privately endowed entity, one hundred percent of a bottle or cellar's value goes to the donor's designated charity. The organization made a big splash in Bel Air, California, this past May at their inaugural event, "A Goliath 60th Celebration," which honored the 60th anniversary of St. Jude Children's Research Hospital. The auction's centerpiece, which raised more than $3 million, was a massive 27-liter "goliath" bottle of 2003 Sine Qua Non The Inaugural Syrah. This priceless 100point wine—the only bottle of its kind in the world—was donated by wine critic Robert M. Parker, Jr.

The Legacy Cellar Foundation allows wine enthusiasts to turn their collections into cash for their favorite charities.

While the live auction format is certainly a go-to for obtaining top dollar, Hodgdon explained that his number one directive is to get the highest value for a wine donation. This gives him the freedom to approach individual collectors, for instance, if he believes that's the best means to an end.

The opportunity to run The Legacy Foundation arose during the pandemic while Hodgdon and his wife lived in Chicago. Having "retired" from being a sommelier, the notion that he could use his expertise for good and interact with some of the foremost wine collectors in the United States was instantly appealing. However, it wasn't until he started work that he realized the magnitude of the charitable aspect. "Up to that point, philanthropy hasn't appeared on my radar," he explained. "But after working with and helping tons and tons of different types of charities, from José Andrés' World Central Kitchen to Sea Shepherd, my mind is blown every single day by the important work carried out by the charities we support."

"The idea is that any amount directed to charity is good," said Garth. Currently, no minimum value is required for a donation to be handled by The Legacy Foundation. Hodgdon initiates the vetting process through a phone call, discussing areas such as storage and provenance. "It's an easy conversation to have and nice for donors because I understand their passion and can speak to them at their level," he added.

LIQUIDGOLD

Written by Bridget Williams

An Advanced Sommelier through the Court of Master Sommeliers, Hodgdon boasts impressive chops in the wine industry, including stints as head sommelier at Thomas Keller's Bouchon Bistro, The French Laundry, and Per Se, followed by five years as United States ambassador for Krug Champagne. He likes to say, "anywhere Krug Champagne was being opened, I was there."

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To date, Hodgdon has worked with approximately 25 donors. The list includes people interested in selling a few bottles to make room for more, people who have inherited a collection and aren't sure what to do with it, and those looking to sell their entire cellar. "It's a low-stress process, and the wine goes to the best place: fellow wine enthusiasts who will drink it and appreciate it as much as the donor." Even better, Hodgdon emphasized, is that a donor can see the impact of a gift without dipping into their cash reserves or relying on a bequest to carry out their charitable intentions. sl

For more information and to become a Legacy Cellar insider, which provides access to exclusive events and first notice of new cellars available for sale, visit legacycellar.org.

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Legacy Cellar Foundation Director Garth Hodgdon with the 27-liter "goliath" bottle of 2003 Sine Qua Non The Inaugural Syrah donated by Robert M. Parker, Jr. for an auction to benefit St. Jude Children’s Research Hospital. Photo by Drew Ruiz

Of Note... Curves Ahead

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Compiled by Colin Dennis AM/PM Applique sconce (ampmlighting.com). Koji nightstand from Barry Goralnick (barrygoralnick.com). Bend Goods Cloud bench ($2,200; bendgoods.com). Surf coffee table from Hervet Manufacturier (hervet-manufacturier.fr/#/home). Four Hands Minka outdoor dining chair with Olefin upholstery ($1,149; fourhands.com). The Camaleonda sofa from B&B Italia (bebitalia.com). Wave mirror from Serena & Lily ($1,498; serenaandlily.com). Glazy stool from Royal Stranger (royalstranger.com). Circa Lighting Avant large curve sconce ($920; circalighting.com). Beau Ruban II bed from Ebanista (price upon request; ebanista.com). Opposite page, clockwise from top left: Malachite wallcovering from Jim Thompson (jimthompsonfabrics. com). Rima armchair from Popus Editions ($1,630; popus-editions.com). Samuel & Sons Mila embroidered border (samuelandsons.com). Phila carpet from Zuiver (zuiver.com).

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Compiled by Bridget Williams

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Pink-mania has erupted over the first images of plastic fantastic Barbie and Ken, played by Margot Robbie and Rylan Gosling, in the live-action adaptation of Barbie, scheduled for release in July 2023. Embrace your inner Barbie girl by dopamine dressing and accessorizing with these perfectly pink pieces.

PRETTYPINKIN

Harwell Godfrey pink pearl Claw ring ($12,000; harwellgodfrey.com). Spiral ring from Emily P. Wheeler ($5,800; emilypwheeler.com). Ashley Zhang pink tourmaline Starlight pendant ($1,950; ashleyzhangjewelry.com). Ananya Fine Jewelry Scatter earrings (price upon request; ananya.com). Marco Bicego Africa Boule Collection French wire earrings with opal ($1,430). Available through Diamond Cellar in Columbus, Reis-Nichols Jewelers in Indianapolis, Davis Jewelers in Louisville, King Jewelers in Nashville, Simons Jewelers in St. Louis and at us.marcobicego.com. Claude pink sapphire bangle from Nouvel Heritage ($12,100) Available through Reis-Nichols Jewelers in Indianapolis, Ylang Ylang Jewelers in St. Louis. and at nouvelheritage.com. Jollie ring from Bondeye Jewelry ($1,765; bondeyejewelry.com). Chopard Happy Hearts bracelet in rose gold with pink stone ($3,150). Available through Moyer Fine Jewelers in Indianapolis, King Jewelers in Nashville, and at chopard.com.. Ada bracelet in neon pink enamel ($10,850; shop.melissakayejewelry.com). Gemella Jewels Intertwine pink sapphire & ruby ring ($9,760; gemellajewels.com). Gemella Jewels Intertwine pink sapphire & ruby ring ($9,760; gemellajewels.com). Eriness pink sapphire party hoops ($6,150). Available through Moyer Fine Jewelers in Indianapolis, Ylang Ylang Jewelers in St. Louis and at eriness.com.

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This page, clockwise from top left: Graziela Gems pink sapphire floating diamond ring ($2,750). Available through Moyer Fine Jewelers in Indianapolis and at grazielagems.com. Dahlia pink opal necklace from Doves Jewelry. Available in Indianapolis through Moyer Fine Jewelers and Reis-Nichols Jewelers, at Davis Jewelers in Louisville, and at Kings Jewelers in Nashville. Madison L Arianna Collection pendant ($1,590). Available through Davis Jewelers In Louisville and at MadisonL.com. Rolex Oyster Perpetual Day-Date 36 Available in Cincinnati at The Richter & Phillips Company, in Columbus and Nashville at The Diamond Cellar, in Indianapolis at Reis-Nichols Jewelers, in Louisville through Davis Jewelers, and at Simons Jewelers in St. Louis.. Mateo New York pink sapphire Wave bracelet ($7,920/each; mateonewyork.com). Bea Bongiasca Carmen necklace ($4,176; en.beabongiasca.com). Sutra Jewels earrings. Available through Diamond Cellar in Columbus and Nashville and at sutrajewels.com.

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MY MAGICAL COTTAGE IN THE WOODS by

/ Photography

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When you design high-end kitchens and baths for a living, it’s hard to pick your five or even 10 favorite projects. And that’s how it was with Jenny Rausch from Karr Bick Kitchen & Bath. I might as well have asked her to choose her favorite child. Instead, she offered, “My favorite thing I have ever designed is our family’s cottage in the woods.” After I looked at photos and heard the story of the cottage, it was easy to see and understand why. The cottage rests in a summer camp-like setting on the bluffs of the Mississippi River just south of Grafton, Illinois. The confluence of the rivers reminds me of my own childhood in the Catskills of New York. Other families live on the same land (which is owned by the community with 100-year leases), each with their own private setting. Personally, I can’t imagine anything more special than the site of Jenny’s cottage. This rustic gem dates back to around the same time as the St. Louis World’s Fair although the stone foundation is from the original settlement in 1885. Jenny and her husband Todd – both creative types – had a shared vision for the cottage. With Jenny’s design expertise and Todd’s carpentry skills, they have restored this cottage to look like something from a Ralph Lauren catalog or the set of the Netflix hit series Virgin River. From a distance as you approach, what immediately captures your eye are the wrap around screened-in porch accented by string lights, painted wood siding with contrasting window frames, old stone stairs set high on a stone foundation (once used for tents), a reclaimed antique screen door, the outdoor furniture, flags, and other Americana accessories. Once inside, you’ll be amazed at the intimacy of this less than 1,000 square foot retreat. It’s clearly been designed for the family to be close, and it’s hard not to imagine someone strumming a guitar, kids playing games, and lots of memories being made as the smell of dinner wafts from the custom kitchen. The walls are made from six-foot high beadboard, stained palette-wood, and shiplap planks found at area lumber yards. With gothic-inspired arches and stair details, six-foot high wainscotting, wood ceilings, collections of pictures, horns and antlers, and even belt-driven ceiling fans, the cottage is as authentic and nostalgic as they come. Craig Kaminer by Photographie by Li

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This cottage and the surrounding summertime community area are so special that Jenny and many of the other homeowners don’t talk about its exact location for fear of attracting visitors who may want to change the way of life there. There are a couple of cottages for sale but ownership must be approved by the community and you cannot own the land. Jenny’s cottage reminds me of a doll house-sized model of Mackinac Island’s Grand Hotel, but it’s so much more.

Jenny had the good fortune of spending childhood summers in the same community but a different cottage. “My parents discovered the community when I was eight years old. Our cottage was a classic Victorian with a beautiful turret in my bedroom.”

When I first spoke with Jenny to get more details of the cottage, she was preparing for the annual dance performance by the 120 children, aged three to 18, who live there in the summer. Of course, Jenny is the director, not to mention the grounds manager overseeing the community’s self-contained power, water, and sewer systems. Jenny reflects, “I just find this place magical, and I am grateful to have come here as a child and now share it with my family. The cottage is a labor of love. It’s so perfect, I hate to leave it.”

But behind all the details are the conveniences you would expect from Jenny and Karr Bick including a hidden washer and dryer, fine plumbing fixtures, recessed lighting, a chef’s kitchen with a Viking oven and six-burner cooktop, and air conditioning. With the windows wide open, the sounds of the wind, chirping birds, crunching leaves, and kids on bikes fill the air.

While it’s perfect as is, Jenny’s dream is to build a motherin-law style guest cottage on the property to allow more family to spend time together there. Currently the cottage is only used in the summer and special holidays like Thanksgiving. With its Native American roots, you can just imagine the earliest Thanksgivings with a long table outside, bonfires and hayrides, and the coming together of community, family, and friends.

rooms. GREGG WILLIAMSON (cell) 314-359-9210 (office) 314-677-6254 GreggWilliamson.com Gregg WilliamsonREALTOR®

RACKHEATH HOUSE

BRIDAL COTTAGE

AVALON HOUSE By far one of the most breath-taking views on the property overlooking the Mississippi River. This home is perfect for retreats of any occasion. Avalon House is fully furnished with four bedrooms, four bathrooms, a kitchen, and a wrap-around deck. If you ever have any questions or inquiries, don’t hesitate contact or call us at 573.242.3838 Note: both 1NW at Cedarcrest Manor and Chauncey Room at The Rackheath House are ADA Compliant

Perched atop the hills of the Mississippi River Valley, and situated just a short walk from the Overlook—one of the highest spots along the river. Built in 1860 and restored in 2006 by Nathalie Pettus, this Greek revival-style manor features sprawling grounds, a spacious veranda, and a romantic, flourishing garden filled with gorgeous walking paths. Its accessible, state-of-the art kitchen and elegant dining room provide guests with the ideal place to uncork a bottle of wine or sip a cup of coffee.

CEDARCREST MANOR Nestled among a cluster of towering cedars and tucked away just up the hill from the city of Clarksville. Built in 1842 by Captain Benjamin Clifford, a prominent riverboat captain, Cedarcrest began its life as a plantation home and quickly became the archetype for a number of houses built in the Mississippi River Valley. Romanesque pool which creates a quiet, and restful place to relax and recharge. Rich with amenities, this enchanting Missouri inn is adorned with antiques and features a fireplace in every room.

An intimate space for couples to get away. Perched above the meadow, surrounded by rolling hills, it provides beautiful views of the sunrise and sunsets. A guest will find a full kitchen and beautifully decorated bedroom creating a weekend you’ll never forget!

THE LODGE Overlook Farm’s newest accommodation is located in a private area of the farm, away from heavy traffic.

FOR A FAMILY RETREAT OR OFFERINGOVERLOOKCORPORATEPRIVATENEEDS,FARMISASURPRISINGANDINSPIRINGOASISITSFIVEINNSAVAILABLEFORLEASEFORTHEFIRSTTIMEINITSSTORIEDHISTORY. RELAX. PLAY. LIVE. Just 75 minutes north of St. Louis! overlookfarmmo.com Specific amenities apply to specific inns and rooms.

It’s perfect for a group that wants to stay in conditions that are rustic luxury. The Lodge can accommodate up to 12 guests. It’s unique location ensures for a private and scenic stay.

Susan Groose, 62, retired, of Eugene, Missouri, shared her feeling about e-bikes, “It’s so freeing. It’s the joy of flying and feeling like a kid again.” E-bikes provide the opportunity to bike again Exercising without the fear of exhaustion or pain is another benefit to e-bikes. Groose elaborated, “Our son-in-law who is an avid biker recommended e-bikes for me and my husband. Biking has become accessible to us again. I might have been intimidated to get back on a bike without the electric advantage. I don’t have to worry about getting up a big hill or the potential embarrassment of having to stop and walk a bike up a hill. The main advantage is that we can go a lot further. Now, we ride the Katy Trail with our kids and grandkids!”

It turns out the secret to feeling young again might be getting on an electric bike. Sales of electric bikes, known as e-bikes, have soared in the last year. The Light Electric Vehicle Association predicts that more than one million e-bikes will be sold in the U.S. this year. Mike Weiss, owner of St. Louis’s Big Shark Bicycle Company, confirmed, “The e-bike category has been growing dramatically.”

“St. Louis has really caught on to e-bikes,” reported Bill Sauerwein, owner of Pedego St. Louis, an e-bike exclusive store located in South County. “People want to have fun and ride their e-bikes to dinner or to a brewery without feeling completely exhausted. They want that feeling of the wind blowing in their hair, the ability to do something physical and to experience the feeling of riding a traditional bicycle.”

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A recent Fortune Business Insights report credits the massive growth of e-bikes to technological advancements and progressions in rapidly charging batteries. The report anticipates that the U.S. e-bike market, currently sized at more than $40 billion, will rise to $92 billion by 2029. But why the boom in e-bikes now? Weiss explained, “I think when e-bikes were first launched it was a product category people didn’t understand. Cycling was considered a self-propulsive activity and you were supposed to pedal for yourself.” Once you learn how to bicycle, you never forget Now everyone from grandparents to city commuters to mountain bikers are finding a reason to own and enjoy an e-bike. While some credit the popularity of e-bikes to the soaring price of gasoline, those who have embraced e-bikes know there are also other benefits. “E-bikes are for anyone with any type of cycling interest. It’s great for someone who is a casual cyclist, but we are seeing e-bikes enter every layer of the marketplace,” said Weiss. “As much as there is diversity in e-bike products, there is diversity in the clientele.”

Even with an e-bike’s pedal assistance, you will get a workout.

“When I got on an e-bike, I felt like an eight-year-old boy again,” said Gerry Feltmann, 59, a hotel industry consultant. “I didn’t understand an e-bike fully until the first time I rode one. When I did, I immediately wanted to purchase it.” Feltmann, a St. Louis native now living in Los Angeles, started with a foldable e-bike and now is considering trading up to a sleeker and lighter weight model.

THE WORLDWONDERFULOFE-BIKES by Lisa Hanly VanMoof

Marcy Graham, 55, a Missourian who now lives in the mountains of San Diego, credits the e-bike with better exercise, “We get a great workout without the debilitating uphills, so we actually have more prolonged activity.”

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• Distance on charge: The distance an e-bike can travel per charge is much longer than it was just a few years ago. Ranges are generally between 20-100 miles per charge. Numerous factors including your battery level, how much you assist with pedaling, and what you weigh factor into the distance you will be able to ride per charge. Most e-bikes will fully charge in three to five hours, but even an hour charge may be enough.

• Speed: Most e-bikes will reach 20mph, but faster models reach 28mph. E-bike speed ranges are much faster than traditional bicycles and safety considerations should be a factor when comparing models.

Top considerations when shopping for an e-bike:

The E-BIKE Act, proposed by the U.S. House of Representatives, has not been voted into law - but if it does, qualifying consumers would receive a rebate of 30% for purchasing a new e-bike. Several states, including California, Colorado, Michigan, and New York (alas, not Missouri or Illinois) offer e-bike rebates and incentives.

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• Pedal Assist: Every e-bike has varying levels of pedal assistance. In the case of Groose’s Trek Verve+3, “My bike has four different settings for how much assist you get when pedaling: eco, touring, sport or turbo. You can put the e-bike into turbo mode and see how fast you can go.”

Big Shark

Electric is a hot category With a growing interest in electric transport options, an e-bike may be a wonderful way to enter the category. “Let’s face it - everything electric is just hot, whether it be cars, now planes, trains,” said Don DiCostanzo, CEO and founder of Pedego Electric Bikes, during an interview with Yahoo Finance Live. “Electric bikes are probably the fastest-growing segment of any of these categories because they’re affordable for everybody.”

“There may have been an initial prejudice toward e-bikes with people thinking they are for older people and someone who is trying to keep up, but that’s not the case,” said Weiss. “E-bikes are for people who are wanting to get rid of their car and make short trips to the grocery store and for people who want to ride for distance or speed and want additional support. We see e-bikes in every area of cycling that is experiencing popularity now - performance mountain, road biking, and performance recreational.”

• Batteries: Your battery determines your e-bike’s range. Batteries can plug in anywhere, just like your phone and laptop. Batteries mounted on the center of the bike provide the best center of gravity. Removable batteries are helpful for convenient charging and removing the battery can help lower the weight of the bike for loading into a vehicle or onto a bike mount.

“We have plenty of customers who are 25-40 who are commuting and trail riding,” said Sauerwein. “And e-bikes can get people back on a bike after recovering from surgery or cancer treatment - with the pedal assist, they can get back to enjoying physical activity and being outdoors.”

There is an e-bike for everyone If you haven’t noticed e-bikes, it may be because you do not recognize them. Brands are designing models that are not obviously identifiable as e-bikes. The sleek designs hide batteries and wires and often look just like traditional bicycles. Some even look like museum pieces. This is the reason the Tour de France officials now x-ray bikes: the technology is so sophisticated and hidden that it is not always visible from the outside.

“Range is rarely an issue for me,” said Feltmann. “Charging uses a regular outlet and takes between 4-6 hours when my bike is at zero charge. But I always top off, which only takes an hour or two.” The good news: if you accidentally let the battery run out…you can still pedal home.

• Throttle: Along with electric pedaling assistance, many models ar e equipped with a throttle, so you can adjust your speed without pedaling. This feature is extremely helpful if you are going to be riding up hills or starting from a stopped position, but you will obviously run down the battery faster when using the throttle. Getting started at an intersection quickly is much safer and less stressful with a throttle, noted Sauerwein.

• Accessories: There are lots of fun ways to accessorize an e-bike. You will find options for baskets, racks for storage, lights, bells, rearview mirrors, water bottle mounts, and tire repair kits. You’ll even find trailers that attach to the back of an e-bike, some meant for cargo and some meant for children.

• Brakes: While e-bike models offer hydraulic brakes or mechanical brakes, you may want to consider hydraulic for safety. Both types of brakes look similar, but hydraulic has more stopping power - something very important if you are going at speeds up to 25mph. Hydraulic brakes may last longer than mechanical and require less maintenance. However, mechanical brakes are less expensive to repair.

• Class 1, 2 or 3: E-bikes have classifications which could sanction where you can or cannot ride. Generally Class 1 and 2 e-bikes are permitted anywhere a traditional bicycle can be ridden. Faster e-bikes, which fall into Class 3, may be restricted from riding in certain parks or on certain trails. People for Bikes, an e-bike advocacy group, has a detailed website for learning more about local laws and regulations for e-bikes (peopleforbikes.org).

• Looks: If you are worried about someone knowing you are riding an e-bike, it is easy to disguise. Today’s models often look exactly like traditional bikes. But who cares? You’re getting out there, on a bike! There’s room for everyone and with an e-bike, you can zoom right past all of them anyway.

• Special considerations: Will you be riding on mountain trails? There are mountain e-bikes for more experienced bikers in the $5,000-7,000 price range. Do you have issues with balance or need to cart more cargo than a standard bike basket will hold? There are e-bike tricycles, great for longer excursions - for instance, an e-trike has storage for your giant picnic basket (and a bottle of Champagne, perhaps?). We spotted several e-trikes on a recent trip to Naples, Florida and saw bike baskets packed full of beach gear.

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• Weight: E-bikes are much lighter than they were just a few years ago, making them much more accessible to a wider audience. No matter what, an e-bike will not be as light as a non-motorized bike due to the added weight of the motor and battery. Depending upon the features you choose, an e-bike in the mid-price range will weigh between 40-80 pounds. The lighter the bike, the more expensive it will be.

• Motor Location: Motors on e-bikes are located in the wheel area or on the frame. Weiss mentioned that while motor placement in the wheel is less expensive, it will be expensive if you have an accident and need to replace that wheel. When the motor is built into the frame, it keeps the wheels light and also provides stability for the bike’s center of gravity.

“Having a throttle helps when you are first starting off and you can keep momentum with traffic without struggling to pedal,” he added. “It helps you ride better in traffic because you can vary your speed with the cars.”

• Gears vs. no gears: A single speed e-bike, sometimes referred to as a “fixie,” has its advantages. With no gears to think about, you do not need to shift, you just get on and ride. Fixies also tend to be lighter weight and require less maintenance. You will pedal a bit more on hills with this type of e-bike, but a fixie may be an excellent choice for a first-time e-bike purchase.

Trek offers a wide variety of e-bikes, including city bikes, road bikes, and mountain bikes. The brand has been around since the 1970s and boasts a lifetime warranty on the frames on their e-bikes. Their online guide, “Electric Bikes 101” is a fantastic start to learning more about the category and the features you may want to consider when purchasing (even if you do not choose a Trek). Graham raved about her Trek Verve+3, “We love this e-bike and with Trek we

Brands Worth Perusing When it comes to brands, Weiss noted there is an e-bike for everyone and every level of bicyclist. “Our mainstream A-category bike brands all feature better e-bike products compared to the products people buy online.”

A great advantage to visiting the Pedego store is that you can test ride an e-bike for free or rent for $25 an hour and try out an e-bike on the nearby paved Grant’s Trail, including a downloadable tour for your phone to learn more about the Gravois Greenway while you pedal. Sauerwein can see Grant’s Trail from his store and reports about half of the bicycles he sees on the trail during the week are now e-bikes. “The Trail is a wonderful amenity for cyclists in the St. Louis region, but it especially enhances our store experience, offering a safe and comfortable ride for those trying out an e-bike for the first time.”

With more than 200 Pedego shops across the U.S., you may want to try a Pedego on your next vacation with retailers located in popular spots like Jackson Hole, Amelia Island, Scottsdale, and Boca Raton.

Gocyclewere

Bill and Carla Sauerwein opened Pedego St. Louis after renting the e-bikes while on vacation in Colorado. “We were both avid cyclists, but like most people, in my 50s, my knees started to ache and arthritis made me lay off biking for a few years,” said Bill Sauerwein. “Getting on the Pedego was overwhelmingly fun and refreshing! We literally came back from the vacation ride and contacted Pedego about a St. Louis store opportunity.”

Models range from $2,295-4,500 and Pedego offers a five-year warranty, anti-theft protection, and a lifetime frame warranty.

Pedego is a California-based company that only makes e-bikes, including 19 models in four sizes of cruisers, city and mountain bikes, and fat tire adventurers.

Giant is a well-known bicycle brand founded in 1972. Its e-bikes are sold in bike shops in the St. Louis area with prices ranging from $2,750 to $9,500 for the most sophisticated model. The line spans a wide variety of categories, including trail, fitness, endurance, and adventure. “We sell Giant which is known as a large cycling enterprise, and their expertise is the range of who they serve,” said Weiss. “They make affordable e-bikes and premium e-bikes, all at a great value, ranging from $2,000-5,000. That price range is where the product is most successful and where the customers have the best experience.” Giant’s Liv line of women’s e-bikes has a dedicated video channel on their website with topics ranging from instructional videos (such as how to fix a flat tire and maximize your e-bike’s battery life) to inspirational women’s racing champions offering advice.

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If you are interested and willing to DIY and would like to enter the e-bike world in a substantially lower price range, there are a multitude of brands available online that require some assembly. Rad, Schwinn, Lectric, and Hey Bike brands all offer e-bike models starting under $1,000. While shopping online is convenient and it is easy to find online product reviews, there are countless advantages to buying from a store. Big Shark and many other bike shops partner with e-bike brands sold online to offer professional assembly locally.

The quality of the initial assembly, assistance with the rider’s proper fit to the bike, and the bike shop’s relationship with the manufacturer (for access to parts, batteries and more) may make buying in a store a smarter investment, saving time and money in the end. As well, talking to Big Shark Bicycle’s Weiss, you can appreciate that a seasoned bike shop employee can help those buying their first e-bike make a balanced choice, weighing the safety and capabilities of the bike with their rider.

able to get a supersized bike for my tall husband. We did not find that with other brands.” Groose also bought the Trek Verve+3, which was in the $2,500 range. “It’s great on pavement and gravel. And I can take the battery off when I load the bike on my car rack.” Several bike stores in the St. Louis area sell Trek, including dedicated Trek stores in Ballwin and VanMoofArnold.isaDutch brand sporting thick tires and modern body designs. It touts ultra-low maintenance parts and stylish tech integrations including a battery level viewer and phone charger in the handlebars. Its anti-theft technology synchronizes with GPS/ Bluetooth and Apple’s “Find My *” tracking capabilities. If your bike is stolen, VanMoof offers a team of “Bike Hunters” who will find your bike. Their website is fun to explore and offers a variety of ways to virtually test drive. Pricing is in the $2,500-3,000 range and the brand offers security and maintenance plans. Feltmann commented, “I bought my first e-bike about seven years ago and it was 53 pounds. I am currently coveting a VanMoof for its 35 pound weight and its range.”

Pricing ranges from $4,000-7,000.

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Gocycle makes incredibly compact and storable e-bikes and is known for its futuristic styling. The company was founded in 2002 by former McLaren Cars designer Richard Thorpe. Gocycles easily fold up. While the brand is European and does not have a dealer in the St. Louis area, it is easy to order online. Winning multiple tech awards, its models have no cables, chains, gears, sprockets, or oil. Its size makes it extremely appealing for commuting and city living. Good Housekeeping magazine named Gocycle’s G4 one of the 15 best electric bikes of 2022, awarding it “Best Foldable E-bike” and noted its quick charging time of three hours, weight of 38.8 pounds and compact size and foldability.

“Our best salesperson is the bike itself,” said Weiss. sl

PowerVanMoofVanMoofGiantRoamRADBikes

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Streaming

SL SeptemberCELEBRATIONSSOPHISTICATED 9–11 St.

23–25 Pedal

11–23 The

October A Tasteful Affair, Food Outreach, foodoutreach.org/events Tony-Winning Best Musical Hadestown, www.fabulousfox.com/events/detail/hadestown Join the Journey, The Little Bit Foundation, thelittlebitfoundation.org/events/join-the-journey First Chance Gala, Concordance, concordance.org/events/gala

Glennon Gallop, www.glennon.org/gallop the Cause, www.pedalthecause.org/the-event

10–11 Music

Great Futures Gala, Boys and Girls Club of Greater St. Louis, www.bgcstl.org/greatfuturesgala JazzSTL.org

a busy summer, the beginning of fall marks a new season of celebrations! St. Louis favorites Pedal the Cause and Glennon Gallop the horizon. Musical performances such as Hadestown at the Fabulous Fox and the Kranzberg Art Center’s annual Music at the action are on our calendar too. Share your celebrations with us by tagging your pictures with @sophisticatedlivingmag. And let know which charity you want to see featured among our society pages. The calendar of live events may still be thin, but the list of organizations needing support remains endless. Louis Art Fair, Saint Louis Art Fair Home 50 and Still Wild, Endangered Wolf Center Anniversary Celebration, www.endangeredwolfcenter.org/50andstillwild Feast for Change, Operation Food Search, www.operationfoodsearch.org/event-calendar/feast-for-change at the Intersection, musicattheintersection.org Sababa Festival at Washington University, sababastl.com

Plug in for a Federal Tax Credit of up to $7500* VOLVO RECHARGE PLUG-IN HYBRIDS *See your tax advisor for complete tax details.

During the month of May, Elleard B. Heffern Fine Jewelers in Clayton celebrated the 50th anniversary of current patriarch Kit Heffern. Festivities included trunk shows by Mark Patterson and Michael Bondanza. An event at the store - on the first floor of the Hanley Corporate Tower - on May 25, honored Kit and his expertise, knowledge, and loyalty. Generations of notable St. Louisans have shopped for jewels at Elleard Heffern. The jewelry studio is intimate, private, and a beautifully designed masterpiece that perfectly complements the showcases, the clientele, and the designers who have been working with a Heffern family member for 109 years.5

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HEFFERN 50TH ANNIVERSARY

CA ERIN G D ININ G E NTERTAI NI NGGormanSuzybyPhotos 1 1) Kit Heffern, Webster Heffern 2) Kit Heffern, Karen Blumeyer, Michael Harris 3) Cortney Vaughn 4) Debbie & Craig Kaminer 5) Guests shop the Mark Patterson trunk show 6) Bob & Sally Harrison 7) Kit Heffern, Josette Patterson, Michael Bondanza, Webster Heffern 2

CATERIN G D ININ G E NTERTAI NI NG SchlueterMichaelbyPhotos 1) Angela & Jason Bean, Kerry & Michael Donnelly 2) Honoree Dr. John Morris, Dr. Lucy Morris, and Board Chair John Beuerlein 3) Jim & Liz Schweppe, Carla & Gary Grewe 4) The Fabulous Motown Review 5) Gala Chairs Emily & Richard Pitts 6) Grace, Matt, Heather Mikula 7) Penny Pennington & Michael Fidler 1 2 3 4 6 7 5 2022 AFFAIR TO REMEMBER GALA

Dr. John C. Morris, director of the Charles F. and Joanne Knight Alzheimer’s Disease Research Center at Washington University School of Medicine, received the Beacon of Hope Award to acknowledge his achievements and contributions to research and treatments of Alzheimer’s disease, as well as his service on the board of directors with the Alzheimer’s Association Greater Missouri Chapter from 1986 to 2021.

On Friday, May 20, nearly 400 guests attended the annual Affair to Remember Gala benefiting the Alzheimer’s Association of Greater Missouri at The Ritz-Carlton St. Louis. The event was co-chaired by Emily Pitts, chief diversity officer at Lindenwood University and Alzheimer’s Association board member, and her husband, Richard. This event elevates the impact of the Alzheimer’s Association locally – raising funds annually to support programs, deliver services, and advance research to realize the vision of a world without Alzheimer’s.

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On view August 18, 2022 through April 30, 2023 4652 Maryland Avenue, Saint Louis, MO 63108 | worldchesshof.org (314) 367-WCHF (9243) | @WorldChessHOF | #72FischerSpassky

1972 Fischer/Spassky: The Match, Its Origin, and In uence celebrates the 50th anniversary of the American Robert "Bobby" Fischer's historic win over the Russian Boris Spassky in the legendary 1972 World Chess Championship, ending 24 years of Soviet dominance in the sport. Artifacts in the expansive, three-ﬂoor show include chess pieces used in pivotal game three of the "Match of the Century," a replica of the tournament table created by the makers of the original and never-before-exhibited books from the personal library of Bobby Fischer.

FEEL THE 314.571.6000JAZZSTL.ORG DelvonOrganLamarrTrio OCT 5-9, 2022 Regina Carter SEP 21-25, 2022 Stefon Harris & Blackout OCT 19-23, 2022 Tia MimiFuller,Jones, Matt Wilson OCT 28 & 29, 2022 Nella SEP 30 & OCT 1, 2022 Red & Black Brass Band SEP 16 & 17, 2022 JahmalFrequenciesBlackNichols’ OCT 12, 2022“Pops”AdaronJackson SEP 29, 2022 Build A CollectiveYes SEP 28, 2022 Back Pocket OCT 27, 2022 AntonioFoster OCT 26, 2022 Eva Noblezada SEP 14 & 15, 2022 be be ve i i viWith Jazz St. Louis’ ’22&’23 Season SEASON SPONSORED BY: Steward TechnologyWorldANDFoundationFamilyWide

CA ERIN G D ININ G E NTERTAI NI NGPhotographyCreativeCarmodyofCarmodySarahbyPhotos 1 4 5 1) Gino Gusmano, Dave Sewall, Jeff Kapfer, Ryan Falk, Kyle Crocker 2) Janine Parham, Eleanor Higgins 3) Alex Fisher, Foundation Board Trustee Pedro Soares 4) Dr. Kiran Kancherla, Dr. Madhuri Subbaiah 5) Andy & Frannie Whiteside 6) Foundation Board Trustee Scott Bensinger, Board Chair Carolyn Farrell, Library CEO Waller McGuire 7) Event Co-chairs Ted Wight, Cabanne Howard, Al Mitchell, Library CEO, Waller McGuire 8) Paul Shaughnessy, Foundation Board Vice-chair Laura Shaughnessy, Kyleen & Christopher Carroll 32

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THE ART OF INNOVATION

On June 4, the St. Louis Public Library Foundation hosted Stranger Than Fiction: The Art of Innovation. Held at the magnificent Downtown Central Library, proceeds from this literary themed benefit support technology programming, equipment, and services at libraries throughout the City of St. Louis. Event co-chairs were Ted Wight, Cabanne Howard, Al Mitchell, and Honorary Chair Jim McKelvey. The mission of the St. Louis Public Library Foundation is to support library programs and services through advocacy and fundraising and to build relationships with others who share a passion for the library’s work.

BOYS AND GIRLS CLUB

On June 8, the Boys & Girls Clubs of Greater St. Louis celebrated its 2022 Annual Recognition event, announcing 2022 honorees and Alumni Hall of Honor inductees. Each year the staff, board members, volunteers, and supporters are acknowledged and celebrated for their commitment to the Boys & Girls Clubs as well as the kids and teens that the organization serves. The 2022 inductees are Tia Brimer, Kia Brimer, Eric Rhone, Anthony Stallion M.D., Darnell Walker, and Marquis Walker. This award recognizes outstanding alumni for achievements in their respective fields, commitment to leadership, and serving the St. Louis community’sslmag.netyouth.

CA ERIN G D ININ G E NTERTAI NI NG 2LouisSt.GreaterofClubsGirls&BoysofCourtesyPhotography 1 3 4 1) Chad & Jennifer Call 2) Travis Sarich, Ed Bryant 3) Marquis Walker, Darnell Walker, Kia Brimer, Dr. Flint Fowler, Tia Brimer, Mark Stallion, Angela Rhone 4) Steve Spratt 5) Regina & Chris Knapp 6) Dr. Flint Fowler, Nick Ragone 7) Alonzo Byrd, Tyan & Nick Ragone 8) Dr. Flint Fowler, David Stokes 5 6 87

“The choice of a lawyer is an important decision and should not be based solely upon advertisements. Past results a ord no guarantee of future results and every case is di erent and must be judged on its own merits.”

METRO THEATRE GALA Metro Theater Company celebrated its 50th anniversary at the After Dark Gala on June 9 at Palladium Saint Louis. After Dark, the Company’s annual fundraising event, featured a three-course dinner catered by Butler’s Pantry, creatively curated live and silent auction items, and live musical performances. The evening’s captivating keynote address was given by New York Times bestselling and Newbery Medalwinning children’s book author Matt de la Peña. Proceeds from After Dark ensure the longevity of Metro Theater’s educational programming and theatrical performances.5

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SkaggsDavidandLinA.JenniferbyPhotos

41 1) Julia Flood, Joe Gfaller 2) Rev. Kevin D. & Lillian Anthony 3) Board President Coleen Williams, Gala Co-chair Marcia Kerz 4) Denise Thimes, Daniel McRath 5) Megan Ann Rasmussen, Gwenny Govea, Julia Flood 6) Clare Kerz, Colleen Muther, Mary St. Clair 7) Kraig Turner 8) Karen Goering, Matt de la Pena, Lawrence Goering 2 3

CATERIN G D ININ G E NTERTAI NI NG ConardAmybyPhotos 1) Cody Wheeler, Gabe Lentin, Kevin Kennedy, Jonathan Zilm 2) Rob Millner, Matt Jermak, Terry Bader, Donn Lux 3) Charlie Klemp, Kent Marting, Vic Richey, Chris Tucker 4) Dr. Scott Norris, Nathan Perlmutter, Dr. Joel Perlmutter 5) James Martin, Ed Dowd, Mark Darrell, Gabe Gore 6) Bob Mitchusson, Terese Mitchusson, Carla Slay, Glen Slay 1 2 53 64 APDA ANNUAL GOLF CLASSIC June 21 was a great day for the American Parkinson’s Disease Association St. Louis Chapter’s 24th Annual Golf Classic at Norwood Hills Country Club. Even with temperatures hovering around 100 degrees, the golfers had a great time while raising money for APDA programs and research to end Parkinson’s. According to Cathy Krane, St. Louis chapter executive director, “Every nine minutes there is a new diagnosis of Parkinson’s disease, which means that every month nearly 5,000 people in this country will learn they have PD.” 88 slmag.net

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Sophisticated Living St. Louis Sept/Oct 2022

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